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1. Design for a Church: Elevation of the West Front

Design for a Church: Elevation of the West Front
Creator:
James Paine, 1717–1789
Date:
ca. 1750
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 9 3/8 inches (25.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hubertusburg Château

Hubertusburg Château
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Design for the Gothic Library at Felbrigg Hall in Norfolk

Design for the Gothic Library at Felbrigg Hall in Norfolk
Creator:
James Paine, 1717–1789
Date:
ca. 1750
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Frieze and Capitals (from Priene?)

Frieze and Capitals (from Priene?)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 inches (54.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of Ruins of the Asclepium at Pergamon

View of Ruins of the Asclepium at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. No. 7 the interior part of the 3rd temple looking from the west front

No. 7 the interior part of the 3rd temple looking from the west front
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 12 inches (35.6 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. No. 9 architecture of the temple of Neptune the King

No. 9 architecture of the temple of Neptune the King
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 11 7/8 inches (37.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. No. 10 Architecture of the Temple of Minerva Polias and Neptune the King

No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 11 7/8 inches (37.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plan of the Temple of Ceres Legifera

Plan of the Temple of Ceres Legifera
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 19 1/16 inches (30.2 x 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plan of the Temple of Neptune the King

Plan of the Temple of Neptune the King
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 13/16 x 19 1/8 inches (30 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plan of temple of Minerva Polias and Neptune the King

Plan of temple of Minerva Polias and Neptune the King
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 18 15/16 inches (30.2 x 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plan of one quarter of the Amphitheatre at El Djem showing outer corridors

Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Sketch of Elevation of Amphitheatre at El Djem showing archways

Sketch of Elevation of Amphitheatre at El Djem showing archways
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. No. 7 sketch of temple remains at Baalbec or Palmyra

No. 7 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 31 7/8 inches (53 × 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. No. 8 Sketch of Temple remains at Baalbec or Palmyra

No. 8 Sketch of Temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 31 1/8 inches (54.9 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. No. 22 sketch of temple at Baalbec and Palmyra

No. 22 sketch of temple at Baalbec and Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 15 1/4 inches (40.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. No. 10 sketch of temple remains at Baalbec or Palmyra

No. 10 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 31 1/2 inches (52.7 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra

No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 1/2 inches (39.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. No. 28 drawings of ornamental details of columns arches etc.

No. 28 drawings of ornamental details of columns arches etc.
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 29 7/8 × 21 7/8 inches (75.9 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. No. 26 drawings of temple remains at Baalbec or Palmyra

No. 26 drawings of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. No. 25 drawing of temple remains at Baalbec or Palmyra

No. 25 drawing of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. No. 21 view from the North Angle of the peristyle of the temple

No. 21 view from the North Angle of the peristyle of the temple
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 21 inches (40.3 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. No. 29 sketch of temple remains at Baalbec or Palmyra

No. 29 sketch of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals

View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper
Dimensions:
Sheet: 16 × 21 1/8 inches (40.6 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian

Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 5/8 × 11 inches (16.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:
Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Internal Order of the Cell of the most entire Temple at Baalbec

Internal Order of the Cell of the most entire Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on modreately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 12 1/2 inches (27.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples

Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 × 21 1/4 inches (19.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec

Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 12 1/4 × 11 inches (31.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Temple at Baalbec: Detailed drawing of a Doorway

Temple at Baalbec: Detailed drawing of a Doorway
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 11 3/4 inches (47.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Finished Drawing of Unidentified Palladian Mansion

Finished Drawing of Unidentified Palladian Mansion
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Temple at Baalbec: Sheet of Sketches of Columns

Temple at Baalbec: Sheet of Sketches of Columns
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 7/8 × 15 1/2 inches (55.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Veduta di Tunga

Veduta di Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and brown ink, red pencil on moderately thick, moderate texture, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 1/2 inches (37.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Fragments of Architecture at Temple of Thignica Ain Tunga

Fragments of Architecture at Temple of Thignica Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Details of Temple at Sheitla

Details of Temple at Sheitla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Details of Lower Arch Mactar, Modern Makther

Details of Lower Arch Mactar, Modern Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther

Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 19 1/8 inches (63.8 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Cisterns at Carthage

Cisterns at Carthage
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Slight graphite sketch of ruins of Hieron of Temples at Shietla

Slight graphite sketch of ruins of Hieron of Temples at Shietla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Pl. VIII Temple of Jupiter at Tebessa

Pl. VIII Temple of Jupiter at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 1/2 inches (36.2 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Plan of temple at Baalbec

Plan of temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Pl. IX Arch of Caracalla at Tebessa

Pl. IX Arch of Caracalla at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Plan of upright of the semi circular Exedra of Temple at Baalbec

Plan of upright of the semi circular Exedra of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Entrance to Hieron of Temple of Shietla

Entrance to Hieron of Temple of Shietla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 21 1/8 inches (36.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Order of the two courts of the Temple at Baalbec

Order of the two courts of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Section of arches and stairs of the temple at Baalbec

Section of arches and stairs of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 11 inches (27 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Sketches of architectural detail of temple at Baalbec

Sketches of architectural detail of temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite; verso: pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Upright of the Niche at the Temple at Baalbec

Upright of the Niche at the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 × 15 3/4 inches (55.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Plan of part of the temple at Baalbec

Plan of part of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Plan of Temple at Baalbec

Plan of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 21 1/2 inches (38.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Measured drawing of section of pediments of temple Baalbec

Measured drawing of section of pediments of temple Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Plan of the most entire temple at Baalbec

Plan of the most entire temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 14 7/8 inches (54.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Plan of the great temple of Baalbec and of Portico and Courts leading to it

Plan of the great temple of Baalbec and of Portico and Courts leading to it
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 29 5/8 inches (54.3 × 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Order of the Great Temple at Baalbec with descriptive notes attached

Order of the Great Temple at Baalbec with descriptive notes attached
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Arch of Caracalla at Tebessa and many measured plans and elevations

Arch of Caracalla at Tebessa and many measured plans and elevations
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 5/8 × 21 1/4 inches (70.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Plan of the circular temple at Baalbec

Plan of the circular temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Back view of the same circular temple in its present state

Back view of the same circular temple in its present state
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. No. 5 interior part of the 2nd temple seen from the North Side

No. 5 interior part of the 2nd temple seen from the North Side
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 11/16 x 12 1/16 inches (37.3 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 11 5/8 inches (37.9 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. No. 8 Architecture of the Temple of Ceres Legitera

No. 8 Architecture of the Temple of Ceres Legitera
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 x 11 3/4 inches (37.8 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. No. 14 sketch of temple remains at Palmyra or Baalbec

No. 14 sketch of temple remains at Palmyra or Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 31 inches (55.2 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra

No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 13 3/8 × 21 1/2 inches (34 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Plate twenty-one: Arch at Zanfour

Plate twenty-one: Arch at Zanfour
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 3/4 inches (48.9 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. 1 of 2 finished drawings of Arch at Hydra and a double page of details

1 of 2 finished drawings of Arch at Hydra and a double page of details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Architectural detail of column at Assuras

Architectural detail of column at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 25 3/4 × 38 3/4 inches (65.4 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Architectural detail of arch at Assuras

Architectural detail of arch at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 26 1/8 × 38 3/4 inches (66.4 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Elevation of Pedestal Entableature of the Arch at Tripoli

Elevation of Pedestal Entableature of the Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Temple of Jupiter and Minerva, Thugga

Temple of Jupiter and Minerva, Thugga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 15 3/8 × 19 1/8 inches (39.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Elevation of Arch at Tripoli

Elevation of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 39 inches (65.1 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Temple of Jupiter and Minerva, Thugga

Temple of Jupiter and Minerva, Thugga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 inches (50.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Plate II Tombe de la Chretienne

Plate II Tombe de la Chretienne
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, and gray wash on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Aquaduct of Julia Ceasarea

Aquaduct of Julia Ceasarea
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/16 × 14 3/4 inches (53.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Temple ruins

Temple ruins
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 16 3/8 inches (34.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Capitol Thamugas

Capitol Thamugas
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Studies of Statuary and a Column

Studies of Statuary and a Column
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 8 3/8 inches (30.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Elevation of Ruined Temple

Elevation of Ruined Temple
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Elevation and plan of part of Temples at Baalbec

Elevation and plan of part of Temples at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink and graphite on medium thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 inches (54.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Severn-Henbury Village and Blaize Castle from the road in the Mill

The Severn-Henbury Village and Blaize Castle from the road in the Mill
Creator:
Attributed to J. Hadley, active 1730–1758
Date:
undated
Materials & Techniques:
Gray wash, and pen and black ink on four joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/4 × 12 3/4 inches (10.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. View and Plan of the Grotto of Gethsemene

View and Plan of the Grotto of Gethsemene
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.4 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. View and Plan of the Grotto of St. Jerome at Lydda (Lod)

View and Plan of the Grotto of St. Jerome at Lydda (Lod)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 7/8 inches (54.4 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Plan of the Second Theater of Laodicea and Details of a Composite Order

Plan of the Second Theater of Laodicea and Details of a Composite Order
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/8 x 14 13/16 inches (53.6 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea

Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Details of a Doric Order from Toreh

Details of a Doric Order from Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 14 7/8 inches (54.2 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Frieze and Capital of the Ionic Temple at Toreh

Frieze and Capital of the Ionic Temple at Toreh
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/16 x 14 15/16 inches (53.8 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 14 15/16 inches (54.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Plan of Jerusalem

Plan of Jerusalem
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Plan of the Temple of Juno at Samos and Details of a Column

Plan of the Temple of Juno at Samos and Details of a Column
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 15 1/16 inches (54 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Plan of the Port of Sigacik (ancient Teos)

Plan of the Port of Sigacik (ancient Teos)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection