View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
2
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
3
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
4
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
5
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
6
William Alexander, 1767–1816
Stone Cottages in a Mountainous Landscape with a Figure in the Foreground
undated
7
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
8
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
9
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
10
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
11
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
12
Henry Thomas Alken, 1785–1851
The Huntsman and a Rider Encouraging the Hounds
undated
13
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
14
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background
undated
15
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
16
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
17
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
18
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
19
Print made by David Allan, 1744–1796
Patie and Peggy
1808
20
Print made by David Allan, 1744–1796
Peggy and Patie
1808
21
Thomas Allason, 1790–1852
Plain of Olympia, 9
1814
22
Thomas Allason, 1790–1852
The Course of the Alpheus, 11
1814
23
Thomas Allason, 1790–1852
Pylos with the Island of Spacteria, 19
1814
24
Thomas Allason, 1790–1852
Isthmus of Corinth, 32
1814
25
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
26
Print made by Richard Ansdell, 1815–1885
The Sentinel
1857
27
Print made by George Arnald, 1763–1841
Choquer
1821
28
Print made by George Arnald, 1763–1841
Choquer
1821
29
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
30
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
31
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
32
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
33
Charles Reginald Aston, 1832–1908
Bathing Place, Anstey's Cove
undated
34
Charles Reginald Aston, 1832–1908
Near Bossiney, Cornwall
1906
35
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
36
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
37
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
38
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
39
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
40
Print made by Robert Sargent Austin, 1895–1973
Portrait of the Artist
1921
41
Print made by Robert Sargent Austin, 1895–1973
Romance
1922
42
Print made by Robert Sargent Austin, 1895–1973
Plane Tree Cottage
1926
43
Print made by Robert Sargent Austin, 1895–1973
Siena
1927
44
Print made by Robert Sargent Austin, 1895–1973
Cadore
1927
45
Print made by Robert Sargent Austin, 1895–1973
Zoutelande
1929
46
Print made by Robert Sargent Austin, 1895–1973
Autumn
1922
47
Print made by Frederick Bacon, 1803–1887
Thomas Bewick
1852
48
Print made by Stanley Roy Badmin, 1906–1989
Swinbrook Bridge
1931
49
Print made by Stanley Roy Badmin, 1906–1989
Priory Pond, Stroud
1932
50
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river
ca. 1775
51
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
52
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
53
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
54
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
55
attributed to James Barry, 1741–1806
The Cave of the Cumean Sybil on the Shore of the Lake Avernus
between 1740 and 1759
56
Print made by James Barry, 1741–1806
Sacra Christi Familia
undated
57
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
58
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
59
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
60
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
61
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
62
Print made by Francesco Bartolozzi, 1728–1815
The Watercress Girl
1796
63
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
64
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
65
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
66
James Baynes, 1766–1837
Extensive wooded landscape with figures in foreground left
Undated
67
Sir George Howland Beaumont seventh Baronet, 1753–1827
Falls at Schaffhausen
1782
68
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
69
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
70
Robert Polhill Bevan, 1865–1925
A Village in the Sussex Downs
undated
71
Robert Polhill Bevan, 1865–1925
Landscape with Three Trees
undated
72
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
73
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
74
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
75
Robert Polhill Bevan, 1865–1925
Found, with further sketches in the margin
76
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
77
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
78
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
79
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
80
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
81
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
82
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
83
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
84
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
85
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
86
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
87
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
88
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
89
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
90
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
91
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
92
Print made by William Blake, 1757–1827
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
93
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
94
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
95
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
96
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
97
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
98
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)