<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Period 19th century

Remove constraint Period: 19th century

Search Results

Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
Elizabeth Christiana Fanshawe Elizabeth Alexander
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Elizabeth Alexander
1806
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
George Baxter Gems of the Great Exhibition No. 4: The Foreign Department
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
George Baxter Pomare, Queen of Tahiti
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
Bradshaw & Blacklock Greenwich Hospital
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
Vincent Robert Alfred Brooks Ten Needle-Box Prints
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Constantinople
Print made by Bradshaw & Blacklock, active ca.1850
Constantinople
after 1850
Bradshaw & Blacklock Highland Dancers
Print made by Bradshaw & Blacklock, active ca.1850
Highland Dancers
after 1850
Bradshaw & Blacklock Castles in England
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Cathedrals in England
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
William Daniell A View of the East India Docks
William Daniell, 1769–1837
A View of the East India Docks
1808
Thomas Rowlandson Billingsgate Market
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
Daniel Havell A View of the Bank of England
Daniel Havell, 1785–1826
A View of the Bank of England
1816
Frederick Christian Lewis the Elder Tours, looking backwards
Print made by Frederick Christian Lewis the Elder, 1779–1856
Tours, looking backwards
undated
Richard Gilson Reeve The Great Western leaving Bristol for New York
Richard Gilson Reeve, 1803–1889
The Great Western leaving Bristol for New York
1840
Richard Gilson Reeve The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
Richard Gilson Reeve, 1803–1889
The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
1839
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
unknown artist Carlinan Mill, Iverary, Scotland
unknown artist
Carlinan Mill, Iverary, Scotland
1811
J. Hill A Frigate in a Calm
J. Hill, active 19th century
A Frigate in a Calm
1811
J. Hill A Seventy-four in a Fresh Gale
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
William Strang The Miracle of Purun Bhagat
Print made by William Strang, 1859–1921
The Miracle of Purun Bhagat
1900
William Strang The Undertakers
Print made by William Strang, 1859–1921
The Undertakers
1900
unknown artist A View of St. Katharine's Dock in the Month of January, 1828
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
William Johnstone White Representation of the Festival for the Return of Peace
William Johnstone White, active 1804–died c.1870
Representation of the Festival for the Return of Peace
1815
Henry Papprill British Queen Steam Ship
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
Frederick Christian Lewis the Elder View of Old Aberdeen, Including King's College and the Cathedral
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836