Materials & Techniques: line engraving / Associated Places: United Kingdom / Image Use: Free to Use / Subject Terms: cityscape

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis

1836

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by Thomas Rothwell, ca. 1742–1807

Windsor

1795

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by George Murray, died 1822

Bath

1795

Print made by Thomas Tagg, died 1809

Wallingford

1795

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by Thomas Tagg, died 1809

Northampton

1796

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James Walker, 1748–1808

Chester

1796

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James Walker, 1748–1808

Ely

1797

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by James Walker, 1748–1808

Carlisle

1797

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of Exeter College, All Saints Church, from the Turl

1806

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Wenceslaus Hollar, 1607–1677

Palatium Regis Prope Londinum, Vulgo Whitehall

ca. 1647

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1829

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by M. Coote, ca. 1758/62–1801

Edgar's Tower at Worcester

before 1786

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by John Fairburn, active 19th century

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

1796

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Edward Francis Finden, 1791–1857

Yarmouth, Norfolk

1837

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

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Materials & Techniques line engraving

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Image Use Free to Use

Subject Terms cityscape

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Materials & Techniques line engraving

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Image Use Free to Use

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