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1. Opening the Fold

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Opening the Fold

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Belvoir Castle, Rutland

Belvoir Castle, Rutland
Creator:
M. J. Starling, active 1830
Date:
1835
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Choquer

Choquer
Creator:
Print made by George Arnald, 1763–1841
Date:
1821
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 inches (21.4 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

7. Choquer

Choquer
Creator:
Print made by George Arnald, 1763–1841
Date:
1821
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 1/8 inches (22 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Bath: The New Bridge

Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Bath: The South Parade

Bath: The South Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 8 3/4 inches (33.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Osborne House

Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Bride

The Bride
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Sheep of His Pasture

The Sheep of His Pasture
Creator:
Print made by Edward Calvert, 1799–1883
Date:
ca. 1828
Materials & Techniques:
Engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ashestiel

Ashestiel
Creator:
Print made by William Richardson, active 1842–1877
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Red-Scar, the Residence of William Cross, Esquire

Red-Scar, the Residence of William Cross, Esquire
Creator:
Thomas Higham, 1796–1844
Date:
1832
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Morning

Morning
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Moon-Light

Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Valley of the Ardennes [Belgian Set: No. 10]

A Valley of the Ardennes [Belgian Set: No. 10]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. The Shepherd

The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Ashestiel (Vignette)

Ashestiel (Vignette)
Creator:
Print made by William Richardson, active 1842–1877
Date:
1854 reprint
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 inches (19.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. View of a Portico by the Side of a River, with Herdsmen and Cattle

View of a Portico by the Side of a River, with Herdsmen and Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

32. A Landscape

A Landscape
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 16 9/16 inches (27.4 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

33. A Landscape with Cattle

A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1775
Materials & Techniques:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

34. Henry More

Henry More
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1675
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 13 x 7 5/16 inches (33 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. William L. Harkness

35. Birk's Bridge

Birk's Bridge
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
undated
Materials & Techniques:
Etching and drypoint print on medium, slightly textured, beige Asian paper
Dimensions:
Sheet: 10 1/2 x 14 15/16 inches (26.7 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

36. The Tay

The Tay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1912
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Marlow, Bucks

Marlow, Bucks
Creator:
unknown artist
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 5/16 × 10 1/16 inches (16.1 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Benevento, Kingdom of Naples

Benevento, Kingdom of Naples
Creator:
Print made by Charles Heath, 1785–1848
Date:
undated
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Murthly on the Tay

Murthly on the Tay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Plate: 3 7/8 x 10 1/8in. (9.8 x 25.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

40. Hampton Court

Hampton Court
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

41. The Two Sheep

The Two Sheep
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 9 13/16 x 13 3/8 inches (25 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

42. Nine Barrow Down

Nine Barrow Down
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/16 x 11 7/8 inches (20.4 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

43. Nine Barrow Down

Nine Barrow Down
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 3/8in. (19.7 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Wareham Bridge

Wareham Bridge
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream antique laid paper
Dimensions:
Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

45. Wareham Bridge

Wareham Bridge
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 10 7/8 inches (20.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

46. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Londres. Vue Prise de la Tour de l'Eglise de St. Paul
Creator:
Print made by Henry Walter, 1786–1849
Date:
1860
Materials & Techniques:
Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Ruins of the Old Bridge, Vernon

Ruins of the Old Bridge, Vernon
Creator:
Frederick Goulding, 1842–1909
Date:
1879
Materials & Techniques:
Etching on moderately thick, slightly texture, beige laid paper
Dimensions:
Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky

48. Castle Above a Waterfall

Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Study of Trees on the Banks of the Yare

Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Ashestiel (Vignette)

Ashestiel (Vignette)
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View of Tintern Abbey on the River Wye

View of Tintern Abbey on the River Wye
Creator:
Francis Jukes, 1747–1812
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1832-1834
Materials & Techniques:
Etching and engraving, First published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/16 inches (20.5 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 8 3/4 inches (34 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Patie Rebukes Roger

Patie Rebukes Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

58. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, early proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 17 7/16 inches (30.6 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Clifton Spring and Woods near Maidenhead

Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. After Sun-Set

After Sun-Set
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Tweed at Coldstream

The Tweed at Coldstream
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Plate: 3 15/16 x 5 15/16in. (10 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Kidwelly Castle

Kidwelly Castle
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

66. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana

67. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery

68. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. The Towing Path

The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream antique laid paper
Dimensions:
Sheet: 6 3/4 x 9 3/16 inches (17.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

70. Harlech, no. 2

Harlech, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1880
Materials & Techniques:
Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

71. A Salmon River, no. 2

A Salmon River, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1884
Materials & Techniques:
Etching and mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 11/16 x 11 1/8 inches (19.5 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

72. A Lancashire River

A Lancashire River
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1881
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

73. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Opening the Fold

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched in 1880; impression printed in 1920
Materials & Techniques:
Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:
Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Opening the Fold

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched in 1880; impression printed in 1926
Materials & Techniques:
Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Still Waters

No cover image available
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 inches (17.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery