Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]
undated
202
Print made by John Bluck, active 1791–1831
Clare Hall
1814
203
Print made by William Richardson, active 1842–1877
Ashestiel
1835
204
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
205
Print made by John Horsburgh, 1791–1869
Ashestiel
206
Henry Swinburne, 1743–1803
Mountain Landscape View of a River Flowing through a Town
undated
207
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
208
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
209
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
210
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
211
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
212
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
213
Print made by James Tibbits Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
214
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
215
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
216
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
217
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
218
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
219
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
220
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
221
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
222
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
223
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
224
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
225
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
226
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
227
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, Sept.r 1790
1790
228
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
1790
229
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
230
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
231
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
232
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
233
Sir Richard Colt Hoare, 1758–1838
Ferry over the Vulturnus, Sept.r 1790
1790
234
Sir Richard Colt Hoare, 1758–1838
The Convent of St. Cosimato, and part of the Claudian Aqueduct
1786 to 1819
235
Sir Richard Colt Hoare, 1758–1838
Near the Convent of S. Cosimato, in Italy
1786 to 1819
236
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near the Convent of S. Cosimato
1786 to 1819
237
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
238
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
239
William Alexander, 1767–1816
The Traveling Barge
undated
240
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
241
Print made by William John Cooke, 1797–1865
The Thames at Mortlake
1836-1838
242
James Watson, 1740–1790
Sir Jeffery Amherst
1766
243
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
244
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
245
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
246
Print made by William Miller, 1796–1882
Abbotsford
1841
247
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
248
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
249
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
250
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte Alla Carraia
1818
251
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle
1830
252
Print made by Robert Wallis, 1794–1878
Warwick Castle, Warwickshire
1832
253
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
254
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
255
Print made by James Tibbits Willmore, 1800–1863
Llanthony, Monmouthshire
1836
256
Print made by James Baylis Allen, 1803–1876
Castle Upnor
1833
257
Print made by William Miller, 1796–1882
The Tower of London
1831
258
Print made by Edward Goodall, 1795–1870
Florence
1827
259
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
260
Print made by James Tibbits Willmore, 1800–1863
Nantes
1826-1837
261
Print made by James Walker, 1748–1808
Rochester
1794
262
Print made by James Walker, 1748–1808
Bridgenorth
1795
263
Print made by James Walker, 1748–1808
Wakefield
1798
264
Print made by James Basire, Sr., British, 1730 - 1802
South View of Christ Church, etc., From the Meadows..
1799
265
Print made by J. C. Varrall, active 1815–1827
Brinkburn Priory
1832
266
Print made by William Radclyffe, 1780–1855
Caernarvon Castle, Wales
1835
267
Print made by William Miller, 1796–1882
Durham Cathedral
1836
268
Print made by Robert Wallis, 1794–1878
Saumur
1830
269
Print made by Robert Wallis, 1794–1878
Saumur
1830
270
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
271
Print made by Thomas Girtin, 1775–1802
Paris, A View of Pont au Changes
1800 to 1802
272
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
273
Print made by Robert Wallis, 1794–1878
St. Germain-en-laye
1831
274
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
275
Francis Towne, 1740–1816
A Bridge Between Florence and Bologna
1781
276
Francis Towne, 1740–1816
On the Side of the Rhine near the Source, Light Coming from the Right
undated
277
Francis Towne, 1740–1816
View in Borrowdale of Eagle Crag and Rosthwaite
undated
278
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
279
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
280
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
281
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
282
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
283
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
284
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
285
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
286
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
287
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
288
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations