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Work Type intaglio print

Subject Terms women

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake Fear & Hope Are -- Vision; Plate 15

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Thomas Bowles III A South View of Westminster Abby & St. Margarets Church

Thomas Bowles III, ca. 1712–1767

A South View of Westminster Abby & St. Margarets Church

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

George Cruikshank Blear-Eyed Moll

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

George Cruikshank The First Step

Print made by George Cruikshank, 1792–1878

The First Step

undated

George Cruikshank Untitled

Print made by George Cruikshank, 1792–1878

Untitled

undated

Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

George Cruikshank Lismahago's Retaliation

Print made by George Cruikshank, 1792–1878

Lismahago's Retaliation

undated

George Cruikshank Capricornus - A Caper- o' - corns

Print made by George Cruikshank, 1792–1878

Capricornus - A Caper- o' - corns

undated

George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

George Cruikshank Virgo - Unmatched Enjoyment

Print made by George Cruikshank, 1792–1878

Virgo - Unmatched Enjoyment

undated

Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist

A View of the Royal Palace at Naples

undated

unknown artist A View of the Piazza Navona in the City of Rome

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

unknown artist A View of the Piazza del Popolo in the City of Rome

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Charles Grignion, 1717–1810

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Stanley Anderson Horse Guards

Print made by Stanley Anderson, 1884–1966

Horse Guards

1911

Austin, Robert, 1895-1973 The Cathedral, Palma

Print made by Austin, Robert, 1895-1973, 1895–1973

The Cathedral, Palma

1928

Austin, Robert, 1895-1973 Women at Prayer

Print made by Austin, Robert, 1895-1973, 1895–1973

Women at Prayer

1936

Sir Muirhead Bone A Spanish Good Friday

Print made by Sir Muirhead Bone, 1876–1953

A Spanish Good Friday

1925

Sir David Young Cameron The Palace, Stirling Castle

Print made by Sir David Young Cameron, 1865–1945

The Palace, Stirling Castle

1893

Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron A Venetian Fountain [North Italian Set: No. 7]

Print made by Sir David Young Cameron, 1865–1945

A Venetian Fountain [North Italian Set: No. 7]

1894

Austin, Robert, 1895-1973 Early Spring, Gloucestershire

Print made by Austin, Robert, 1895-1973, 1895–1973

Early Spring, Gloucestershire

1922

Charles William Cain The Return

Print made by Charles William Cain, 1893–1962

The Return

undated

Charles William Cain Burmese Dancers

Print made by Charles William Cain, 1893–1962

Burmese Dancers

between 1920 and 1924

Charles William Cain Loading Dates

Print made by Charles William Cain, 1893–1962

Loading Dates

undated

Charles William Cain A Persian Bazaar

Print made by Charles William Cain, 1893–1962

A Persian Bazaar

undated

Sir David Young Cameron Roslyn

Print made by Sir David Young Cameron, 1865–1945

Roslyn

1899

Sir David Young Cameron Porta del Molo, Genoa [North Italian Set: No. 23]

Print made by Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Sir David Young Cameron Dinant [Belgian Set: No. 9]

Print made by Sir David Young Cameron, 1865–1945

Dinant [Belgian Set: No. 9]

1907

Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Sir David Young Cameron The Belfry of Bruges [Belgian Set: No. 6]

Print made by Sir David Young Cameron, 1865–1945

The Belfry of Bruges [Belgian Set: No. 6]

1907

Sir David Young Cameron The Five Sisters, York Minister

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Sir David Young Cameron The Mosque Doorway, Cairo

Print made by Sir David Young Cameron, 1865–1945

The Mosque Doorway, Cairo

1910

Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Austin, Robert, 1895-1973 Romance

Print made by Austin, Robert, 1895-1973, 1895–1973

Romance

1922

Austin, Robert, 1895-1973 Salus Infirmorum

Print made by Austin, Robert, 1895-1973, 1895–1973

Salus Infirmorum

1922

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Sir Muirhead Bone Stockholm

Print made by Sir Muirhead Bone, 1876–1953

Stockholm

1923