De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
402
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
403
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
404
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
405
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
406
George Vertue, 1684–1756
Sir John Suckling
1744
407
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
408
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
409
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
410
John Martin, 1789–1854
Archers Stalking a Stag
1821
411
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
412
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
413
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
414
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
415
Henry Thomas Alken, 1785–1851
Foxhunting: Full Cry
ca. 1830
416
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
ca. 1830
417
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
418
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
419
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
420
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
421
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends
1769
422
Brian Hatton, 1887–1916
A Huntsman on Horseback
undated
423
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
424
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
425
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
426
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
427
James Seymour, 1702–1752
The Famous Childers
undated
428
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
429
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
undated
430
Mrs. P. D. H. Page, 20th century
Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]
undated
431
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
432
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
433
unknown artist
Morning
1799
434
unknown artist
Mid-Day
1799
435
unknown artist
Evening
1799
436
George Alken, 1794–active 1837
Exercising a Racehorse
undated
437
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
438
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
439
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
440
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
441
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
442
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
443
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
444
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
445
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
446
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
447
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
448
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
449
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
450
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
451
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
452
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
453
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
454
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
455
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
456
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
457
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
458
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
459
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
460
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
461
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
462
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
463
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
464
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
465
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
466
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
467
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
468
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
469
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
470
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
471
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
472
Edward Duncan, 1803–1882
Pheasant Shooting
1825
473
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
474
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
475
William Heath, 1795–1840
Woodcock Shooting
undated
476
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
477
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
478
Samuel Howitt, 1756–1822
The Check
undated
479
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
480
Samuel Howitt, 1756–1822
Going to Cover
undated
481
Samuel Howitt, 1756–1822
The Death
undated
482
Samuel Howitt, 1756–1822
Full Cry
undated
483
Samuel Howitt, 1756–1822
Going out of Kennel
undated
484
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
485
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
486
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
487
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
488
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
489
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
490
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
491
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
492
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
493
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
494
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
495
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
496
Sir Edwin Henry Landseer, 1802–1873
A Hunting Accident
1836
497
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
498
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
499
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left