Materials & Techniques: aquatint / On-site Access: Accessible by appointment in the Study Room

301. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

302. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. A General View of Paris taken from Chaillot

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. View of St. Cloud and Mount Cavalary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 × 18 7/8 inches (12.7 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. View of the Old Corn Market and Tuns Inn, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Two Bunches a Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Round & Sound, Five Pence a Pound, Duke Cherries

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Knives, Scissors, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Strawberrys, Scarlet Strawberrys

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 1/4 inches (41.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 7/8 inches (40.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

Creator:: J. Wellis, active 1799
Date:: 1799
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Creator:: Archibald Robertson, 1748–1788
Date:: 1782
Materials & Techniques:: Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1815
Materials & Techniques:: Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Sacra Christi Familia

Creator:: Print made by James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

338. Plate 8

Creator:: Adrian Wisniewski, Born 1958
Date:: 1991
Materials & Techniques:: Etching, aquatint, and stop-out on 350gsm Zerkall white wove paper
Dimensions:: Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

339. Plate 10

Creator:: Adrian Wisniewski, Born 1958
Date:: 1991
Materials & Techniques:: Etching, aquatint, sugar-lift, and spitbite on 350gsm Zerkall white wove paper
Dimensions:: Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

340. Marcus and a Pink

Creator:: Patrick Procktor, 1936–2003
Date:: 1971
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Frame: 32 x 23 3/4 inches (81.3 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

341. Flower Bridge, Kweilin

Creator:: Patrick Procktor, 1936–2003
Date:: 1980
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 31 3/4 x 26 3/4 inches (80.6 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

342. Municipal Garden, Johannesburg, from the South African Series

Creator:: Patrick Procktor, 1936–2003
Date:: 1974
Materials & Techniques:: Etching and aquatint
Dimensions:: Image: 7 x 4 15/16 inches (17.8 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

343. Still-Life [colour exercise]

Creator:: Terry A. Wilson, born 1948
Date:: 1979
Materials & Techniques:: aquatint
Dimensions:: Frame: 28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

344. A Moonlit Landscape with Cattle by a Pool

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1780
Materials & Techniques:: Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

345. The Miracle of Purun Bhagat

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

346. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/8 inches (27.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

347. The Library of San Marco, Venice

Creator:: Print made by William Walcot, 1874–1943
Date:: 1920
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

348. Villa Quintilii

Creator:: Print made by William Walcot, 1874–1943
Date:: 1921
Materials & Techniques:: Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

349. House of Sallust

Creator:: Print made by William Walcot, 1874–1943
Date:: 1920
Materials & Techniques:: Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 13 3/4 inches (28.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

350. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Finding things not exactly what he expected - Plate 2

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Famous Lincolnshire Ox

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 23 3/8 inches (48.3 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Howe's Victory off Ushant

Creator:: Robert Dodd, 1748–1816
Date:: 1795
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Gray's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Sergeant's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, soft-ground, and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

395. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, soft-ground, and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

396. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, aquatint and roulette on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

397. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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301. Caesar in Egypt

302. On the Banks of the Marne below the Bridge at Charenton

303. View of the City with the Louvre taken from Pont Marie

304. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

305. View of the Tuilleries and Bridge taken from the Quay D'Orsai

306. View of Pont St. Michael taken from Pont Neuf

307. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

308. A General View of Paris taken from Chaillot

309. A View of Pont Neuf, the Mint and etc.

310. View of Pont Neuf, part of the Louvre and the College of Four Nations

311. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

312. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

313. View of St. Cloud and Mount Cavalary taken from Pont de Seve

314. View of the Old Corn Market and Tuns Inn, Guildford

315. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

316. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

317. View of the Coronation Procession of George IV

318. Two Bunches a Penny Primroses, Two Bunches a Penny

319. Fresh Gathered Peas, Young Hastings

320. Turnips & Carrots ho

321. Milk below Maids

322. Sweet China Oranges, Sweet China

323. Round & Sound, Five Pence a Pound, Duke Cherries

324. Do You Want Any Matches?

325. Knives, Scissors, and Razors to Grind

326. Strawberrys, Scarlet Strawberrys

327. New Mackrel, New Mackrel

328. Old Chairs to Mend

329. A New Love Song, Only ha'Penny a Piece

330. Hot Spice Gingerbread, Smoking Hot!

331. To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

332. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

333. English Barracks

334. French Barracks

335. View of Old Aberdeen, Including King's College and the Cathedral

336. Representation of the Festival for the Return of Peace

337. Sacra Christi Familia

338. Plate 8

339. Plate 10

340. Marcus and a Pink

341. Flower Bridge, Kweilin

342. Municipal Garden, Johannesburg, from the South African Series

343. Still-Life [colour exercise]

344. A Moonlit Landscape with Cattle by a Pool

345. The Miracle of Purun Bhagat

346. Caesar in Egypt

347. The Library of San Marco, Venice

348. Villa Quintilii

349. House of Sallust

350. A View of Pont Neuf, the Mint, & c.

351. Crofton

352. Crofton Hall, Yorkshire

353. Crofton

354. Funeral of the Late Duke of Wellington

355. Funeral of the Late Duke of Wellington

356. View of the City with the Louvre &c. taken from Pont Marie

357. View of Thuilleries and Bridge taken from the Quay d'Orsai

358. View of Pont St. Michel, taken from Pont Neuf

359. A General View of Paris taken from Chaillot

360. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

361. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

362. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

363. A View of Pont Neuf, the Mint, &c.

364. View of the Gate of St. Denis taken from the Suburbs

365. View of the Pantheon taken from the Arsenal

366. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

367. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

368. View of the Palace and Village of Choisi on the Banks of the Seine

369. View of St. Cloud and Mount Calvary taken from Pont de Seve

370. The Water Mill above the Bridge at Charenton

371. Finding things not exactly what he expected - Plate 2

372. Presages of the Millenium

373. The Famous Lincolnshire Ox

374. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind