The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
28
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
29
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
30
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
31
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
32
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
33
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
34
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
35
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
36
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
37
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
38
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
39
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
40
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
41
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
42
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
43
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
44
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
45
James Mason, 1710–1783
Untitled (duplicate of B1977.14.11857)
1862
46
James Mason, 1710–1783
A View in the Island of Jamaica
1778
47
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
48
Print made by John Robert Cozens, 1752–1797
Bath: Queen Square
1773
49
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
50
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
51
William Baillie, 1723–1810
Parish Orphans
1770
52
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
53
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
54
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
55
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
56
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
57
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
58
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
59
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
60
Robert Strange, 1721–1792
La Retour du Marche
61
Richard Earlom, 1743–1822
Labourers
1790
62
Richard Earlom, 1743–1822
Labourers
1790
63
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
64
Print made by Jan van Somer, ca. 1645–after 1699
Tric-trac Players
1671
65
Print made by William Say, 1768–1834
The Dilettanti Society
1812
66
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
67
Print made by Robert Laurie, 1755?–1836
The Full of the Honeymoon
1789
68
Print made by John Young, 1755–1825
The Flower Girl
1785
69
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
70
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
71
Print made by Isaac Beckett, 1652/3–1719
The Dutch School
between 1683 and 1688
72
Print made by Abraham Blooteling, 1640–1690
The Barber
between 1670 and 1690
73
Print made by Richard Brookshaw, 1736–1804
Man with Jug
undated
74
Print made by Johan Danckerts, 1615–ca. 1687
Aqua
undated
75
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
76
Print made by John Dixon, ca. 1740–1811
A Peasant Family
between 1765 and 1771
77
Print made by John Dixon, ca. 1740–1811
Peasants Drinking
between 1765 and 1771
78
Print made by John Dixon, ca. 1740–1811
The Old Beau in an Extasy
1773
79
Print made by John Faber the Younger, ca. 1695–1756
Youth Playing Bagpipes
undated
80
Print made by John Faber the Younger, ca. 1695–1756
Boy Lighting a Candle
1751
81
Print made by John Faber the Younger, ca. 1695–1756
The Scytheman's Refreshment
between 1748 and 1756
82
Print made by John Faber the Younger, ca. 1695–1756
A School of Boys
1739
83
Print made by John Faber the Younger, ca. 1695–1756
The Morning Rose, What Shall Poor Harpax Do!
1744
84
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
85
Print made by William Faithorne the Younger, ca. 1669–1703
Vertumnus and Pomonae
between 1690 and 1703
86
Print made by Jacob Gole, 1660–1737
Drinking Scene
undated
87
Print made by Jacob Gole, 1660–1737
Boy Playing Marbles
undated
88
Print made by John Greenwood, 1727–1792
The Social Friends
1768
89
Print made by John Dean, 1754–1798
The Bird Cage
1786
90
Print made by John Dixon, ca. 1740–1811
Flute Player
between 1765 and 1771
91
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
92
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
93
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
94
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
95
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
96
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
97
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
98
Print made by William Faithorne the Younger, ca. 1669–1703
An Old Woman Reading
undated
99
Print made by Francis E. Adams, active ca.1760–1775