<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Subject Terms clouds

Remove constraint Subject Terms: clouds

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
John Nixon Eastbourne from Lord G.: Cavendish's Seat in the Park
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
Thomas Girtin Ruins on the Coast
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
Sir Muirhead Bone A Spanish Good Friday
Print made by Sir Muirhead Bone, 1876–1953
A Spanish Good Friday
1925
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
George Siegmund Facius West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
Edmund Blampied A Jersey Vraic Cart
Print made by Edmund Blampied, 1886–1966
A Jersey Vraic Cart
1939
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Richard Parkes Bonington Bergues - La Tour du Marché
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
Sir Francis Seymour Haden The Breaking Up of the Agamemnon, no. 2
Sir Francis Seymour Haden, 1818–1910
The Breaking Up of the Agamemnon, no. 2
after 1880
Richard Parkes Bonington Rue du Gros-Horloge, Rouen
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros-Horloge, Rouen
1824
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
William Byrne View of Leiston Abbey
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
John Bell Charon's Boat
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
Pierre Charles Canot Sun Under a Cloud
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
Pierre Charles Canot Shipwreck
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
Louis Haghe His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
Louis Haghe His Majesty's Ship Britannia Returning to Port
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Returning to Port
ca. 1840
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
John Boydell Greenland Fishery
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
John Boydell Morning
Print made by John Boydell, 1720–1804
Morning
1753
Richard Parkes Bonington Lillebonne - Château d'Harcourt
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
Caroline Watson Garrick Reading the Ode at the Shakespeare Jubilee
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
Dominic Serres Shipping in Southampton Water, off Calshott Castle
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
Dominic Serres Firing a Salute
Dominic Serres, 1722–1793
Firing a Salute
1770
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
Charles Vincent Barber Harvesting - The Noontide Rest
Charles Vincent Barber, 1784–1854
Harvesting - The Noontide Rest
1811
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
Lydia Bates Little Missenden Church from the Southeast
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
unknown artist Fishing Cove near Columbo
unknown artist
Fishing Cove near Columbo
undated
unknown artist Lear in the Storm
unknown artist
Lear in the Storm
undated
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
unknown artist Fortune
Print made by unknown artist
Fortune
1796
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828