On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Work Type: intaglio print / Subject Terms: literary theme - YCBA Collections Search Search Results

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On-site Access Accessible by appointment in the Study Room

Period 19th century

Work Type intaglio print

Subject Terms literary theme

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Edward Goodall Columbus and his Son

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

William Miller Sandy Knowe, or Smailholm Tower

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower

1839

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Abbotsford, Large Vignette

Print made by William Miller, 1796–1882

Abbotsford, Large Vignette

1841

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

Edward Goodall The Nile

Print made by Edward Goodall, 1795–1870

The Nile

1839

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

William Miller Dryburgh

Print made by William Miller, 1796–1882

Dryburgh

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

William Ward Mrs. Pope as Juliet

Print made by William Ward, 1766–1826

Mrs. Pope as Juliet

ca. 1804

Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Print made by George Cruikshank, 1792–1878

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

after 1857

George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Benjamin Smith "Tempest", Act I, Scene I

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Print made by Henry J. Townsend, 1810–1890

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Thomas Goff Lupton Procris and Cephalus

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882

Loch Achray

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870

Carlisle

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882

Loch Achray (Vignette)

1853 reprint

William Miller Sandy Knowe, or Smailholm Tower (Vignette)

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower (Vignette)

1839

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

George Cruikshank Jack Sheppard Exhibits a Vindictive Character

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

unknown artist Grandpapa's Story or The Witches Frolick

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839