Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
2
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
3
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
4
William Payne, active 1850s
Private View of the Royal Academy
1858
5
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
6
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
7
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
8
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
9
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
10
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
11
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
12
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
13
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
14
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
17
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
18
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
19
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
22
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
23
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
24
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
25
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
26
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
27
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
37
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
38
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
39
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
42
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
43
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
44
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
45
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
46
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
47
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
48
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
49
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
50
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
51
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
53
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
58
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
60
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
71
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
72
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
74
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
75
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
76
unknown artist
Grave of the Supposed William Lyndewode
1852
77
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
78
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
79
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
80
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
81
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
82
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
83
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
84
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
85
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
86
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
88
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
89
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
90
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
91
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
92
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
93
George Harley, 1791–1871
Ruins of Westminster Palace
1834
94
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
95
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords