The Bookmaker and his Client outside the Ram Inn, Newmarket
undated
504
Thomas Rowlandson, 1756–1827
The Woolpack Inn
undated
505
Thomas Rowlandson, 1756–1827
Milkmaids and Gentlemen in St. James's Park
undated
506
Thomas Rowlandson, 1756–1827
Bridewell, The Pass Room, House of Correction
undated
507
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
508
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
509
Thomas Rowlandson, 1756–1827
Admiral Christian's and Mr. Lyson's Cottages, Cowes
undated
510
Thomas Rowlandson, 1756–1827
Dudley Castle
undated
511
Samuel Atkins, active 1787–1808
A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
between 1787 and 1808
512
Thomas Girtin, 1775–1802
Winchester Cathedral, Hampshire, from the North-East
after 1794
513
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
514
unknown artist
Royal Observatory, Greenwich
undated
515
William Daniell, 1769–1837
Samphire Rock, St. Agnes, Cornwall
undated
516
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
517
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
518
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
519
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
520
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
521
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
522
attributed to Peter DeWint, 1784–1849
View of the Terrace at Windsor
undated
523
Capt. Francis Grose, 1731–1791
Cowdray Court from the Lodging House
undated
524
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
525
James Miller, active 1773–1814
The Fulham End of Putney Bridge
undated
526
Print made by James Basire the younger, 1769–1822
Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
undated
527
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
528
unknown artist
Near Hackney
undated
529
John Varley, 1778–1842
Ouse Bridge, York
undated
530
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
531
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
532
James Ward, 1769–1859
Windsor Park Paling
undated
533
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
534
attributed to Peter DeWint, 1784–1849
A Yorkshire Farm
undated
535
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
536
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
537
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
538
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
539
Thomas Rowlandson, 1756–1827
A Race on the Knavesmire at York
undated
540
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
541
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
542
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
543
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
544
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
545
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
546
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
547
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
548
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
549
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
550
Joseph Farington, 1747–1821
Roche Rocks
undated
551
John Varley, 1778–1842
Ludlow, Shropshire
undated
552
James Miller, active 1773–1814
View of Isleworth Church
undated
553
Thomas Girtin, 1775–1802
Trees in Hyde Park, London
ca. 1800
554
Thomas Girtin, 1775–1802
St. Bride's, Fleet Street, London
ca. 1801
555
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
556
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
557
Sir Jeffry Wyatville, 1766–1840
Design for Covered Bridge over the Great Western Road
undated
558
George Heriot, 1766–1844
Furness Abbey
undated
559
Isaac Jehner, 1750–c.1806
William Canynges
undated
560
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
561
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
562
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
563
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
564
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
565
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
566
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
567
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
568
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
569
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
570
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
571
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
572
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
573
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
574
Thomas Rowlandson, 1756–1827
The London Citizen
undated
575
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
576
Thomas Girtin, 1775–1802
Stokesay Castle: Interior of a Raftered Hall
ca. 1800
577
Sir Jeffry Wyatville, 1766–1840
Design for the Old Lime Kiln Seat, Home Park, Windsor
undated
578
Print made by Letitia Byrne, 1779–1849
Kenilworth Castle
1794-1837
579
Thomas Rowlandson, 1756–1827
Southhampton, the Watergate and Globe Inn
undated
580
Thomas Rowlandson, 1756–1827
Richmond Park
undated
581
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
582
Thomas Rowlandson, 1756–1827
Sandown Fort
undated
583
Thomas Rowlandson, 1756–1827
The Undercliff, Steephill, Isle of Wight
undated
584
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
585
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
undated
586
Thomas Rowlandson, 1756–1827
An Audience at Drury Lane Theatre
undated
587
Rev. William Warren Porter, 1776–1804
Magdalen College, Oxford
undated
588
Thomas Rowlandson, 1756–1827
Drury Lane. The School for Scandal
undated
589
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
590
Rev. William Warren Porter, 1776–1804
Penvensay Castle
undated
591
Rev. William Warren Porter, 1776–1804
Oxon
undated
592
Rev. William Warren Porter, 1776–1804
Pangbourne, Berkshire
undated
593
Rev. William Warren Porter, 1776–1804
Warwick Castle
undated
594
Rev. William Warren Porter, 1776–1804
Landscape Study with Sheep, Oxford in the Distance