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Collection
Prints and Drawings
94
Creator
Borra, Giovanni Battista, 1713–1770
43
Bruce, James, 1730–1794
26
Gilpin, William, 1724–1804
18
Hogarth, William, 1697–1764
2
Adam, James, 1732–1794
1
Gore, Charles, 1729–1807
1
Paine, James, 1717–1789
1
Sanderson, John, active 1730; died 1774
1
Swaine, Francis, 1730–1782
1
Date
1745
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94
1758
70
1786
38
1785
37
1790
36
1748
35
1772
35
1717
32
1775
32
1804
29
1816
25
1808
24
1765
23
1755
17
1768
17
1690
16
1771
16
1777
16
1819
16
1752
15
1810
15
1807
14
1779
13
1784
13
1789
13
1791
13
1809
13
1812
13
1770
12
1780
12
1795
12
1802
12
1749
11
1792
11
1700
10
1740
10
1747
10
1750
10
1712
9
1753
9
1760
9
1762
9
1813
9
1766
8
1782
8
1811
8
1763
7
1787
7
1794
7
1800
7
1814
7
0
6
1662
6
1709
6
1715
6
1754
6
1756
6
1781
6
1783
6
1793
6
1798
6
1806
6
1723
5
1746
5
1761
5
1788
5
1797
5
1799
5
1625
4
1678
4
1736
4
1737
4
1739
4
1757
4
1759
4
1776
4
1778
4
1801
4
1815
4
1818
4
1825
4
1660
3
1694
3
1710
3
1711
3
1730
3
1735
3
1743
3
1805
3
1824
3
1835
3
1839
3
1871
3
1876
3
1900
3
1580
2
1588
2
1640
2
1670
2
1675
2
On-site Access
Accessible by appointment in the Study Room
94
Image Use
Free to Use
94
Image Available
Available
93
Unavailable
1
Classification
Drawing & Watercolors-Architectural
63
Drawings & Watercolors
31
Creator Gender
male
[remove]
94
Period
18th century
93
18th century-19th century
1
Materials & Techniques
brown ink
[remove]
94
laid paper
[remove]
94
graphite
84
gray wash
73
black ink
54
pen
25
brown wash
13
yellow wash
8
watercolor
7
gray ink
4
orange wash
4
blue wash
1
etching (printing process)
1
gouache
1
red chalk
1
red pencil
1
scraping
1
wove paper
1
Height [cm]
Height [cm] range begin
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Current results range from
8
to
77
Width [cm]
Width [cm] range begin
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Current results range from
6
to
133
Work Type
drawing
94
watercolor
76
Genre
architectural subject
57
landscape
37
cityscape
3
genre subject
3
animal art
2
marine art
2
figure study
1
historical subject
1
religious and mythological subject
1
Subject Terms
architectural subject
57
landscape
37
mountains
30
trees
29
hills
20
scale (rule)
13
capitals
12
columns
11
ruins
11
figures
10
site plan
10
temple
10
river
9
Lydian
8
friezes
8
rocks (landforms)
8
moldings
7
theater
7
cliffs
6
arches
5
more
Subject Terms
»
Associated Places
Asia
24
Turkey
21
Ege kiyilari
16
Izmir Ili
6
Israel
5
Denizli Ili
4
Egypt
4
Jerusalem
4
Manisa Ili
4
Sardis
4
Yerushalayim, Mehoz
4
Balikesir
3
Europe
3
Frontier
3
Giza Necropolis
3
Italy
3
Laodicea
3
Marmara
3
Matruh
3
Aydin Ili
2
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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94
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Materials & Techniques
brown ink
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Materials & Techniques
laid paper
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Creator Gender
male
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
3
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
4
Francis Swaine, 1730–1782
Hulks in the Medway
undated
5
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
8
Charles Gore, 1729–1807
Hubertusburg Château
undated
9
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
10
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
11
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
12
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
13
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
14
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
15
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
16
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
17
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
18
James Bruce, 1730–1794
Temple ruins
undated
19
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
20
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
21
James Bruce, 1730–1794
Study of the Front of a Horse
undated
22
James Bruce, 1730–1794
Six Men Talking
undated
23
James Bruce, 1730–1794
Three Men Talking
undated
24
James Bruce, 1730–1794
One Side of a Coin with Inscription
undated
25
James Bruce, 1730–1794
Weighing Scale
undated
26
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
27
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
28
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
29
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
30
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
31
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
32
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
33
James Bruce, 1730–1794
Veduta di Tunga
undated
34
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
37
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
38
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
40
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
41
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
44
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
46
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
47
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
48
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
49
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
52
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
53
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
54
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
55
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
56
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
57
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
60
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
63
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
64
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
66
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
68
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
69
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
71
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
72
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
73
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
75
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
76
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
77
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
78
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
79
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
80
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
81
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
82
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
83
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
84
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
85
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
86
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
87
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
88
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
89
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
90
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
91
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
92
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
93
James Adam, 1732–1794
Landscape with River and Figures
undated
94
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated