Materials & Techniques: wove paper / Creator Gender: male / Subject Terms: wall

Edward Lear, 1812–1888

Near Edfu or Kilh

1867

Edward Lear, 1812–1888

Villa d'Este

1866

Edward Lear, 1812–1888

Albenga

1864

Edward Lear, 1812–1888

Harb. Gozo

1866

Edward Lear, 1812–1888

Segni, 6 October 1838

1838

Edward Lear, 1812–1888

S. Pietro Degli Agostiniani. Leonessa

1844

Edward Lear, 1812–1888

Leonessa, 3 October 1844

1844

Edward Lear, 1812–1888

Villa Torlania, formerly Villa Conti, Erascati

ca. 1844

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24 (Bentley 26)

1794

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25 (Bentley 26)

1794

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

Charles Tomkins, 1757–1823

Boston Manor, Brentford, Middlesex

undated

William Henry Hunt, 1790–1864

The Flagstaff, Margate

undated

George Lothian Hall, 1825–1888

Part of the Bay of Gibraltar, the Spanish Lines

1844

Attributed to David Lucas, 1802–1881

Cottage in a Cornfield

1844

Sir Walter Thomas Monnington, 1902–1976

Garden Wall with Trees

undated

Francis Nicholson, 1753–1844

Scarborough: Shipwreck at the Foot of the Castle Cliff

ca. 1808

Attributed to J. Pearson, active 1860

Near Goudhurst, Kent

1860

Michael "Angelo" Rooker, 1746–1801

Clare Castle, Suffolk

between 1797 and 1800

Samuel Prout, 1783–1852

The Thatched Cottage

undated

formerly John Varley, 1778–1842

Old Mill at Battersea

undated

John Glover, 1767–1849

Greenwich Hospital

undated

James Wyatt, 1746–1813

Cobham Hall, Kent: Elevation of Fireplace and Overmantel

ca. 1790

unknown artist

Brighton Town and Church

ca. 1780

Cornelius Varley, 1781–1873

Study of a Stonewall and a Gate

undated

James Ward, 1769–1859

An Outhouse Wall

undated

Paul Sandby, 1731–1809

Italianate Landscape with Travellers no. 2

ca. 1760

George Lothian Hall, 1825–1888

Algeciras from Gibraltar

1843

George Lothian Hall, 1825–1888

Casemates

1843

Thomas Sunderland, 1744–1828

West Window of Tintern Abbey

undated

Ambrose Poynter, 1796–1886

Sketches from Life in Paris: Man in Blue Trousers

ca. 1835

Henry William Bunbury, 1750–1811

Launce Teaching His Dog Crab

undated

Print made by Robert Spence, 1871–1964

George Fox Is Stoned by the Crowd at Walney Island

between 1890 and 1911

Keith Vaughan, 1912–1977

The Wall at Ashton Gifford (II)

1944

Thomas Rowlandson, 1756–1827

Caernarfon Castle

undated

Thomas Rowlandson, 1756–1827

Soldiers in St. James Park

undated

Thomas Rowlandson, 1756–1827

Four Women at a Well in Rome

undated

Print made by Rowney & Forster, active 1820–1822

May Day

after 1821

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Thomas Girtin, 1775–1802

Carlisle Cathedral, Cumberland, from the South-west

ca. 1795

Print made by John Sell Cotman, 1782–1842

Etchings by John Sell Cotman, Volume II

1811

attributed to James Ward, 1769–1859

A Cottage Wall and Window

undated

Thomas Rowlandson, 1756–1827

Monks Carousing outside a Monastery

undated

Print made by Alfred Dawson, active 1860–1894

Val d'Aosta

1885

Paul Nash, 1889–1946

Worth Matravers, Dorset

1936

Print made by John Bell, 1811–1895

The City of the Pestilence

between 1826 and 1852

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by Richard Earlom, 1743–1822

A Study, with Ancient Ruins

1810

Edwin Edwards, 1823–1879

Minehead

1879

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Priory Farm

1913

Print made by Rowney & Forster, active 1820–1822

Punch

after 1821

Print made by Day & Co., 1824–1913

North West View, Lincoln's Inn

between 1845 and 1850

Print made by Richard Bernard Godfrey, 1728–op.1794

Edgar's Tower

1778

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by John Bell, 1811–1895

The Assault

between 1838 and 1850

John Martin, 1789–1854

The Crucifixion

1834

Print made by Richard Samuel Chattock, 1825–1906

The Holt

undated

Print made by Sir David Young Cameron, 1865–1945

Dinant [Belgian Set: No. 9]

1907

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Perdita

1925

Print made by Charles William Cain, 1893–1962

Ezra's Tomb

1921

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Pedita

1925

Print made by Robert Barnes, 1840–1895

Three Men and Two Boys Sitting on a Pier

undated

Henry Thomas Alken, 1785–1851

Two Riders and a Couple of Hounds Clearing a Wall

1845

Henry Thomas Alken, 1785–1851

Steeplechasing: The Field taking a Stone Wall and Gate

undated

George Alken, 1794–active 1837

Foxhunting: Full Cry

between 1827 and 1837

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

between 1848 and 1851

Henry Thomas Alken, 1785–1851

Rider on a Brown Horse Going at a Wall

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Thomas Rowlandson, 1756–1827

Limbourg, Belgium

between 1791 and 1792

attributed to Thomas Girtin, 1775–1802

In the Farnese Gardens, Rome

ca. 1795

Robert L. Banks, born 1911

Thatched Houses

1958