A Dialogue Betwixt Himself, and Mistress Eliza Wheeler by Robert Herrick
1880
3
John White Abbott, 1763–1851
Canonteign, Devon
1804
4
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
5
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
6
John White Abbott, 1763–1851
Canonteign
1808
7
John White Abbott, 1763–1851
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
8
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
9
John White Abbott, 1763–1851
Trees in a Wood
1807
10
John White Abbott, 1763–1851
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
11
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
12
John Absolon, 1815–1895
Family Group
undated
13
John Absolon, 1815–1895
Trees by a Pool
Undated
14
attributed to John Absolon, 1815–1895
Peasant Girls
undated
15
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
16
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
17
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
18
Print made by Alfred Adlard, 1803–1869
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
1820
19
Print made by Henry Adlard, active 19th century
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
20
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
21
John Samuel Agar, ca. 1773–1858
Lady Katherine Sophia (née Manners) Heathcote
1812
22
John Samuel Agar, ca. 1773–1858
Lady Dalrymple Hamilton
1812
23
Print made by John Samuel Agar, ca. 1773–1858
Anne (née Bermingham) Caulfield, Countess of Charlemont
1812
24
Print made by John Samuel Agar, ca. 1773–1858
Illustration for 'Mickle'
1808
25
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
26
Agostino Aglio the elder, 1777–1857
An Imaginary Design for a Monument to Lord Nelson
1805
27
Attributed to Agostino Aglio the elder, 1777–1857
Two Fishing Boats at Brighton Beach
1819
28
Attributed to Agostino Aglio the elder, 1777–1857
Scene on Brighton Beach
1847
29
Augustine Aglio the younger, 1816–1885
Flounder's Monument From the Race Course, Ludlow
undated
30
Rev. Alexander Colvin Ainslie, 1830–1903
Summer Shade (Gate)
1867 or 1868
31
Print made by James Akerman, active 1873–1908
View of the Cloisters, Salisbury Cathedral
1897
32
Print made by W. E. Albutt, active 1836–1863
High Street, Oxford (small replica)
1828
33
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
34
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
35
William Alexander, 1767–1816
Lady Macartney's Villa at Chiswick
after 1808
36
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
37
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
38
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
39
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
40
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
41
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
42
George Alken, 1794–active 1837
Exercising a Racehorse
undated
43
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
44
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
45
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
46
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
47
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
48
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
49
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
50
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
51
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
52
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
53
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
54
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
55
Henry Thomas Alken, 1785–1851
Head of a Horse Wearing a Bridle
undated
56
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
57
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse, Profile Left
undated
58
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
59
Henry Thomas Alken, 1785–1851
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat
undated
60
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
61
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
62
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
63
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
64
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
65
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
66
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
67
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
68
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
69
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
70
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
71
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
72
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
73
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
74
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
75
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
76
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
77
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
78
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
79
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
80
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
81
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
82
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
83
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
84
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
85
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
86
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
87
Henry Thomas Alken, 1785–1851
The Ice-Wagon
undated
88
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
89
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
90
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
91
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
92
Henry Thomas Alken, 1785–1851
Gone Away
undated
93
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
94
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds