Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
8
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
18
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
19
George Romney, 1734–1802
The Bath of Bath-sheba
undated
20
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
21
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
22
George Romney, 1734–1802
Samson Overpowered
undated
23
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
24
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
25
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
26
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
27
unknown artist
Ariadne
undated
28
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
29
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
30
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
31
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
32
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
33
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
34
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
35
Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
1787
36
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
37
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
38
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
39
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
40
Joseph Grozer, ca. 1755–1798
The Death of Dido
1796
41
Print made by Henry Fuseli, 1741–1825
The Mighty Mother Sails Through the Air
1787
42
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
43
Print made by Johann Philip Koch, ca. 1716–1796
Die Unschuldige Susana - Susanna Innocens
undated
44
Print made by Johann Philip Koch, ca. 1716–1796
Der Keusche Joseph - Joseph Castus
undated
45
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
46
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
47
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
48
Thomas Park, ca. 1760–1834
Dr. John Thomas, Lord Bishop of Rochester
1788
49
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
50
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
51
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
52
Print made by Placido Columbani, born ca. 1744, active 1801
At Naples
undated
53
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
54
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
55
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
56
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
57
Print made by unknown artist
Judith with the Head of Holofernes
undated
58
Print made by Richard Purcell, active 1746–1766
Virgin and Child
undated
59
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
60
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
61
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
62
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
63
Print made by John Young, 1755–1825
Neaera
1788
64
Print made by Richard Earlom, 1743–1822
Susanna and the Elders
1769
65
Print made by John Faber the Younger, ca. 1695–1756
Sta. Maria Magdelena
undated
66
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
67
Print made by John Simon, 1675–1755
Abraham's Servant Presenteth Rebekah
between 1700 and 1725
68
Print made by John Smith, 1652–1743
The Triumph of Galatea
1701
69
Print made by Richard Earlom, 1743–1822
Virgin and Child
1776
70
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
71
Print made by Richard Earlom, 1743–1822
Alope
1787
72
Print made by Alexander van Haecken, 1701–1758
Juno
undated
73
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
74
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
75
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
76
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
77
Print made by Richard Purcell, active 1746–1766
Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
undated
78
Charles Spooner, c.1720–1767
Lady Selina Hastings
ca. 1759
79
Charles Spooner, c.1720–1767
Lady Selina Hastings
ca. 1759
80
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
81
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
82
Francesco Bartolozzi, 1728–1815
Mrs. Abington As Thalia
1783
83
Print made by John Baptist Jackson, 1701–1780
The Murder of the Innocents
84
Print made by Richard Earlom, 1743–1822
Sensibility
1789
85
Print made by Richard Earlom, 1743–1822
Sensibility
1789
86
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
87
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
ca. 1787
88
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
89
Print made by Francesco Bartolozzi, 1728–1815
Trade Card for Thomas Sandby, Jr
1791
90
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
91
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
92
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
93
James Watson, 1740–1790
Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
1770
94
Print made by Valentine Green, 1739–1813
The Salutation
1778
95
John Faber the Younger, ca. 1695–1756
Mrs. Knight
1749
96
Edward Fisher, 1722–1785
Lady Sarah Bunbury, Pouring Libations to the Graces