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1. The Herdsman's Cottage

The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Herdsman's Cottage

The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Streets of the Tombs, Pompeii

Streets of the Tombs, Pompeii
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, beige board
Dimensions:
Mount: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

4. Man with Horse and Cart Entering a Quarry

Man with Horse and Cart Entering a Quarry
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 27, "A Long Story."

The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Landscape at Boxhill, Surrey

Landscape at Boxhill, Surrey
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Wooded Track

A Wooded Track
Creator:
Henry Monro, 1791–1814
Date:
1813
Materials & Techniques:
Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Peasants Resting

Peasants Resting
Creator:
George Morland, 1763–1804
Date:
1795
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 8 1/16 inches (15.1 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Landscape with Courting Couple

Landscape with Courting Couple
Creator:
John Martin, 1789–1854
Date:
1839
Materials & Techniques:
Watercolor and gum over graphite and scratching out on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 8 3/4 x 12 1/4 inches (22.3 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Old Buildings at Hastings

Old Buildings at Hastings
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 3/16 inches (21.9 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Part of Goodrich Castle

Part of Goodrich Castle
Creator:
Sir Horace Jones, 1819–1887
Date:
1842
Materials & Techniques:
Gray wash, pen and black ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 13 7/8 inches (24.5 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Street in a Country Village

A Street in a Country Village
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 1/8 inches (27.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. View in Wales

View in Wales
Creator:
attributed to Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card
Dimensions:
Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Wilmarth Lewis, Yale BA 1918, transfer from the Yale University Art Gallery

30. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Fish Ponds

The Fish Ponds
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Hawkstone Hall, Shropshire

Hawkstone Hall, Shropshire
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, chalk and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/16 × 19 3/8 inches (33.8 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Design for a Country House

Design for a Country House
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 18 3/4 inches (31.4 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Maxstoke Priory, Warwickshire

Maxstoke Priory, Warwickshire
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View of the Bridge over Uduanulla, near Rahamahal, Bihar

View of the Bridge over Uduanulla, near Rahamahal, Bihar
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 11/16 × 19 3/4 inches (37.3 × 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Man and Woman Holding Baby, Seated on Bank

Man and Woman Holding Baby, Seated on Bank
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 5 3/16 inches (16.4 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Couple in a Farmyard

Couple in a Farmyard
Creator:
Paul Sandby, 1731–1809
Date:
1782
Materials & Techniques:
Watercolor and pen with black and brown ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 26 1/8 x 19 5/8 inches (66.4 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Boatman

The Boatman
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and varnish on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

40. Outskirts of the Forest

Outskirts of the Forest
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Study for Saint Sebastian

Study for Saint Sebastian
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Pen and brown ink, gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Fall of the Leaf

Fall of the Leaf
Creator:
Print made by Sybil Andrews, 1898–1992
Date:
1934
Materials & Techniques:
Color linocut on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Christ Appears to Mary Magdalene (John 20:13-14)

Christ Appears to Mary Magdalene (John 20:13-14)
Creator:
Richard Westall, 1765–1836
Date:
before 1836
Materials & Techniques:
Graphite with red pencil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 3/8 inches (14.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. A Farm near Windsor

A Farm near Windsor
Creator:
Benjamin West, 1738–1820
Date:
1789
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 11 × 17 1/2 inches (27.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Chalfont Lodge, Buckinghamshire

Chalfont Lodge, Buckinghamshire
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper
Dimensions:
Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Ploughman

The Ploughman
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1827
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. How to Ride without a Bridle

How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Italianate Landscape with Travelers, No. 1

Italianate Landscape with Travelers, No. 1
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Trees, with a Man Crossing a Footbridge

Trees, with a Man Crossing a Footbridge
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured card
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Holland Estate, St. Thomas in the East, View from the Change of Air House

Holland Estate, St. Thomas in the East, View from the Change of Air House
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Fishing near a Waterfall

Fishing near a Waterfall
Creator:
unknown artist
Date:
1790
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

53. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Guisborough Priory

Guisborough Priory
Creator:
follower of Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Study from Nature: Inveruglas

Study from Nature: Inveruglas
Creator:
Joseph Noel Paton, 1821–1901
Date:
1857
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund, and Mr. and Mrs. Bart T. Tiernan, Yale LLB 1968, with additional support from: Mr. and Mrs. Ronald R. Atkins; Elizabeth Ballantine, Yale BA 1971, MA 1974, MSL 1982, PhD 1986; Mr. and Mrs. Henry E. Bartels; The Ajax Foundation on behalf of Mr. and Mrs. Richard Bressler; Bruce Budd; Homer Byington, III, Yale BA 1956; Mr. and Mrs. Norman C. Cross, Jr.; Lee MacCormick Edwards; The Forbes Foundation; Mr. and Mrs. Brian Hopkinson; Mr. and Mrs. Thomas Israel, Yale BA 1966; Katherine Haskins; Mr. and Mrs. Lowell Libson; Mr. and Mrs. Robert A. Martin, Yale BA 1954; Virginia Mattern; Mona Pierpaoli and David Adler; and Mr. and Mrs. Ross D. Siragusa, Jr., Yale BA 1953

56. Golf

Golf
Creator:
John Minton, 1917–1957
Date:
undated
Materials & Techniques:
Pen and black ink with white gouache on thick, smooth, cream card
Dimensions:
Sheet: 6 1/2 x 3 1/16 inches (16.5 x 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

57. Entrance to Festiniog, Wales

Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Belgian Set: Damme [No. 5]

Belgian Set: Damme [No. 5]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. A Groom Leading a Bay Horse

A Groom Leading a Bay Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Ferreting

Ferreting
Creator:
Samuel Alken, 1756–1815
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Foxhunting: Rider Jumping a Stile

Foxhunting: Rider Jumping a Stile
Creator:
Samuel Henry Gordon Alken, 1810–1894
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Foxhunting: Hunt Servants Returning Hounds to Kennels

Foxhunting: Hunt Servants Returning Hounds to Kennels
Creator:
Samuel Henry Gordon Alken, 1810–1894
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 9 1/16 inches (21.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Woodcock Shooting

Woodcock Shooting
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Commencement of the Rapids Taken from the Bridge, September 1841

Commencement of the Rapids Taken from the Bridge, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841

Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Ross Castle, Killarney, September 1841

Ross Castle, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Lower Lake from Lord Kenmare's, Killarney, September 1841

The Lower Lake from Lord Kenmare's, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Ross Castle, Mouse Island, 4 September 1841

Ross Castle, Mouse Island, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. On the Killarney Road Leading to Ross Castle, 4 September 1841

On the Killarney Road Leading to Ross Castle, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Innisfallen Island, 4 September 1841

Innisfallen Island, 4 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Lown Bridge Leading to the Gap of Dunloh

Lown Bridge Leading to the Gap of Dunloh
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Ideal Pastoral Life

Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Gorge du Mont Terrible

Gorge du Mont Terrible
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 5/8 x 16 5/16 inches (29.6 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Bride

The Bride
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Satyrs

The Satyrs
Creator:
Stephen Frederick Gooden, 1892–1955
Date:
1937
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 10 3/16 inches (32.2 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

77. Morning

Morning
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Postiglione Inglese

Postiglione Inglese
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Postiglione Germanico

Postiglione Germanico
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 13/16 x 8 1/2 inches (27.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:
Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Cyder Feast

The Cyder Feast
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Chamber Idyll

The Chamber Idyll
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1831
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Ideal Pastoral Life

Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Return Home

The Return Home
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1830
Materials & Techniques:
Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Unidentified Periodical / Play Illustration

Unidentified Periodical / Play Illustration
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

90. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Allegorical Scene

Allegorical Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Image: 2 1/16 × 9 3/4 inches (5.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Storm

The Storm
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint on thin, smooth, cream laid paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

95. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Photography

Photography
Creator:
John Minton, 1917–1957
Date:
undated
Materials & Techniques:
Pen and black ink with white gouache on thick, slightly textured, cream card
Dimensions:
Sheet: 7 5/8 x 3 1/4 inches (19.4 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

98. Scotland

Scotland
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

99. The Shepherd

The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. A River (tail piece)

A River (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 7 1/2 inches (14.1 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection