plate etched between 1880 and 1883; impression printed in 1924
9
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
10
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
11
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
14
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
15
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
17
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
19
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
20
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
21
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
22
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
23
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
24
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
25
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
26
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
27
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
31
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
32
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
33
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
34
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
35
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
36
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
37
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
38
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
39
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
40
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
41
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
42
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
43
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
44
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
45
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
46
Print made by William Miller, 1796–1882
Nantes
1833
47
Print made by Robert Brandard, 1805–1862
Blois
1833
48
Print made by W. R. Smith, active 1819–1851
Amboise
1833
49
Print made by Robert Brandard, 1805–1862
Beaugency
1833
50
Print made by James Baylis Allen, 1803–1876
Havre
1834
51
James Charles Armytage, 1802–1897
Jumièges
1834
52
unknown artist
The Prospect of ye Town of Perth
53
unknown artist
The Castle of Dumbritton from Kilpatrick
54
unknown artist
The Prospect of ye Town of Dundee
55
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
56
Print made by Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge, August 1, 1831
undated
57
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
58
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
59
Print made by J. Francis Bouchelle, active 1823
Hertford Castle
1823
60
Francis Jukes, 1747–1812
View of Tintern Abbey on the River Wye
1799
61
Print made by Thomas Gainsborough, 1727–1788
Travellers by a Clump of Trees in a Rocky Landscape with Stream
undated
62
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
63
Print made by Robert Kearsley Dawson, 1798–1861
Map of Bewdley from the Ordnance Survey
undated
64
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
65
Print made by James Fittler, 1758–1835
Warwick Castle
1780
66
Print made by Paul Angier, active 1749
A View of Paris
67
John Couse, active 1753–1764
A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge
68
Nathaniel Parr, active 1742–1751
A General View of the City of Paris taken from an Eminence in the Village of Chaillot
1749
69
I. Pane
A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles
70
Thomas Bowles III, ca. 1712–1767
The South West Prospect of London, from Somerset Gardens to the Tower
71
James McNeill Whistler, 1834–1903
Chelsea
undated
72
Print made by unknown artist
The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory
73
Print made by Carington Bowles, 1724–1793
The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome
undated
74
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
75
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
76
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
77
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
78
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
79
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
80
George H. Phillips, active 1819–1825
The Paphian Bower
1826
81
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Barbican
1920
82
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Barbican
1920
83
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1823
84
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
85
Print made by Sir David Young Cameron, 1865–1945
The Tweed at Coldstream
1905
86
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
87
Print made by John Landseer, 1769–1852
High Force or Fall of the Tees
1821
88
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
89
Print made by John Scott, 1774–1828
Aysgarth Force
1820
90
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
91
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
92
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
93
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
94
Print made by George Hollis, 1792–1842
Rome, Bridge and Castle of St. Angelo on the Tyber