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1. Labourers

Labourers
Creator:
George Stubbs, 1724–1806
Date:
1781
Materials & Techniques:
Enamel on Wedgwood biscuit earthenware
Dimensions:
27 1/2 × 36 inches (69.9 × 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Rievaulx Abbey

Rievaulx Abbey
Creator:
John Wootton, 1682–1764
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
Creator:
John Wootton, 1682–1764
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
26 5/8 x 49 inches (67.6 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Lamprey, with His Owner Sir William Morgan, at Newmarket

Lamprey, with His Owner Sir William Morgan, at Newmarket
Creator:
John Wootton, 1682–1764
Date:
1723
Materials & Techniques:
Oil on canvas
Dimensions:
41 x 49 1/2 inches (104.1 x 125.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
Creator:
Arthur Devis, 1712–1787
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. The Wolverhampton Racecourse

The Wolverhampton Racecourse
Creator:
unknown artist
Date:
1837
Materials & Techniques:
Oil on canvas
Dimensions:
23 x 33 inches (58.4 x 83.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Euxton, with John White Up, at Heaton Park

Euxton, with John White Up, at Heaton Park
Creator:
John Ferneley, 1782–1860
Date:
1829
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Sheep Washing at Postwick Grove, Norwich

Sheep Washing at Postwick Grove, Norwich
Creator:
James Stark, 1794–1859
Date:
ca. 1822
Materials & Techniques:
Oil on panel
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Scene in a London Street

Scene in a London Street
Creator:
John Collet, ca. 1725–1780
Date:
1770
Materials & Techniques:
Oil on canvas
Dimensions:
37 1/2 x 49 inches (95.3 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. One Tree Hill, Greenwich, with London in the Distance

One Tree Hill, Greenwich, with London in the Distance
Creator:
John Feary, ca. 1745–1788
Date:
1779
Materials & Techniques:
Oil on panel
Dimensions:
27 1/2 x 48 inches (69.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. North Country Mails at the Peacock, Islington

North Country Mails at the Peacock, Islington
Creator:
James Pollard, 1792–1867
Date:
1821
Materials & Techniques:
Oil on canvas
Dimensions:
43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. Design for a Greenhouse at Kew Gardens

Design for a Greenhouse at Kew Gardens
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Falstaff Inspecting the Recruits

Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Design for the Parterre at Hampton Court

Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The House of Commons

The House of Commons
Creator:
Sir James Thornhill, 1675–1734
Date:
after 1731
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Coast Scene near Plymouth

Coast Scene near Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:
Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Monnow Bridge, Monmouthshire

The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Scene from Quentin Durward

Scene from Quentin Durward
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1888
Materials & Techniques:
Pen and black ink and graphite on thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

26. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Monstrosities of 1822 - Pt. 5

Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. An Artist Sketching in Windsor Park

An Artist Sketching in Windsor Park
Creator:
Benjamin West, 1738–1820
Date:
1789
Materials & Techniques:
Pen in brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 18 inches (27.3 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. West India Docks

West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

30. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

31. Characters in the Streets of London

Characters in the Streets of London
Creator:
Benjamin West, 1738–1820
Date:
1799
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Christening in Chevening Church, Kent

A Christening in Chevening Church, Kent
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. View on Exmoor

View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Steine, Brighton

The Steine, Brighton
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Brighton Town and Church

Brighton Town and Church
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The National Gallery

The National Gallery
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

41. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

44. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

45. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

46. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Building

The Building
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1904
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. Walberswick Ferry

Walberswick Ferry
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1913
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. St. Paul's from Ludgate Hill

St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

51. Brightlingsea Hard, Landing Oysters

Brightlingsea Hard, Landing Oysters
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1929
Materials & Techniques:
Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Late Entrance to Ber Street, Norwich

The Late Entrance to Ber Street, Norwich
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The House of George Humphrys, Esq., Spark Brook

The House of George Humphrys, Esq., Spark Brook
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Games at Vauxhall: Playing at Cricket

Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Tynemouth Castle and Priory, Northumberland

Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Rag Fair or Rosemary Lane

Rag Fair or Rosemary Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The London Citizen

The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Vicar Selling his Horse

The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Monitors

Monitors
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 5 5/8 × 8 11/16 inches (14.3 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

78. The Bookmaker and his Client outside the Ram Inn, Newmarket

The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Milkmaids and Gentlemen in St. James's Park

Milkmaids and Gentlemen in St. James's Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16 inches (18.1 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Covent Garden Market

Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Hyde Park Corner

Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Drury Lane. The School for Scandal

Drury Lane. The School for Scandal
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Market Place, Brackley, Northamptonshire

The Market Place, Brackley, Northamptonshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 13/16 inches (20.6 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Penzance, Cornwall

Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire

A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 7/8 inches (21 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Comforts of Bath: Gouty Persons Fall on Steep HIll

Comforts of Bath: Gouty Persons Fall on Steep HIll
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Coast of Sussex, Pushing Off a Boat to a Vessel in Distress

Coast of Sussex, Pushing Off a Boat to a Vessel in Distress
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 x 28 3/4 inches (48.3 x 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Presented by Andrew Wyld / W.S. Fine Art Ltd.