A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
17
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Goarhausen
1817
18
Joseph Mallord William Turner, 1775–1851
Mountainous Landscape with Town in Valley
ca. 1840
19
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
20
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
21
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
22
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
23
unknown artist
Culraven and Broadfield
undated
24
unknown artist
Nuntons
undated
25
unknown artist
Townhead and Drummore
undated
26
unknown artist
Balgreddan and Whinny Liggate
undated
27
unknown artist
Mayfield
undated
28
unknown artist
Little Kirkland
undated
29
unknown artist
Netherthird
undated
30
unknown artist
The Farm
undated
31
Sir Edwin Henry Landseer, 1802–1873
Hounds and Hunters Attacking Deer
1831
32
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
33
William H. Overend, 1851–1898
The Wreck of the Apollo Frigate, 1803
undated
34
Henry Monro, 1791–1814
A Wooded Track
1813
35
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
36
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
37
Monro School
Near Sterzing, Tyrol
ca. 1800
38
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
39
unknown artist
Senwick
undated
40
unknown artist
Bombie Mill, Bombie, Tongue of Bombie
undated
41
unknown artist
Indian Statue
undated
42
unknown artist
S. Simon Petrus
undated
43
unknown artist
Peter the Wild Boy
undated
44
Joseph Wolf, 1820–1899
The Mansion House, London: Elevation
undated
45
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
46
Walter Geikie, 1795–1837
Humorous Family Scene
undated
47
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
48
John Glover, 1767–1849
Two Little Girls
ca. 1810
49
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
50
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
51
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
52
Thomas Grieve, 1799–1882
Design for Covent Garden Drop Curtain
1823
53
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
54
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
55
George Barret, ca. 1728/32–1784
River Bank With High Rocks
undated
56
George Barret, ca. 1728/32–1784
River with Angler
undated
57
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
58
John Baverstock Knight, 1785–1859
Tree Study
undated
59
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
60
Charles Samuel Keene, 1823–1891
Street Scene
undated
61
William Knight, active 1807–1845
Chiddingstone Place, View from the Lake
ca. 1850s
62
John McKinlay, 19th century
Mayfield
1812
63
unknown artist
Little Sypeland
undated
64
unknown artist
Back, Gata and North, Milton
undated
65
unknown artist
Balmae
undated
66
unknown artist
Torrs
undated
67
unknown artist
Kirkeoch, Nun Mill
undated
68
unknown artist
Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
undated
69
unknown artist
North Nunton; South Nunton
undated
70
John Howatson, active 1813
Farm of Highbanks
1813
71
unknown artist
Little Sypeland
undated
72
unknown artist
Whinny Liggate; Balgredan
undated
73
unknown artist
Palmangan
undated
74
John Martin, 1789–1854
The Walls of Jericho
1834
75
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
76
John Martin, 1789–1854
Moonlit Landscape with a Ruined Castle
between 1820 and 1830
77
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
78
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
79
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
80
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
81
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
82
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
83
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
84
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
85
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
86
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
87
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
88
unknown artist
Two Trees
undated
89
unknown artist
Landscape with Waterfall
undated
90
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
91
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
92
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
93
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
94
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
95
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
96
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
97
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
98
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
99
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
100
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont