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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centurySubject Terms clouds
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Remove constraint Subject Terms: menSearch Results
1
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
2
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
3
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
4
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
5
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
6
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
7
- America. A Prophecy, Plate 1, Frontispiece
- 1793
8
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
9
- Air; Plate 6
- 1793
10
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
11
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
12
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
13
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
14
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
15
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
16
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
17
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
18
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
22
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
23
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
24
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
25
- America. A Prophecy, Plate 2, Title Page
- 1793
26
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
27
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
28
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
29
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
30
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
31
- Satan Approaching the Court of Chaos
- 1784 to 1785
32
- Miranda, Prospero, and Caliban: The Tempest
- undated
33
- An Encampment in St. James Park
- ca. 1780
34
- A Prospect of Vapourland
- 1759
35
- Shipping in Southampton Water, off Calshott Castle
- undated
36
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
37
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
38
- Coastal Scene
- 1784
39
- Little Missenden Church from the Southeast
- 1784
40
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
41
- Firing a Salute
- 1770
42
- A View at Terracina
- 1778
43
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
44
- St. Martin's Church
- between 1731 and 1754
45
- The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
- between 1720 and 1750
46
- Marine Study No. 4
- 1773
47
- Marine Study No. 3
- 1773
48
- West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
- 1785
49
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
50
- The South Sea House
- between 1720 and 1728
51
- View of Leiston Abbey
- 1781
52
- Bath: The North Parade
- 1773
53
- Marine Study No. 1
- 1773
54
- Marine Study No. 2
- 1773
55
- Noon
- 1753
56
- A View of Erith, Looking Up the Thames
- 1750
57
- Bristol High Cross
- 1734
58
- Dudley Priory in Worcestershire, Plate 2
- before 1786
59
- Presages of the Millenium
- 1795
60
- Fortune
- 1796
61
- Château Vilain sur la Riviere Dain, Franche Comte
- undated
62
- Games at Vauxhall: Playing at Cricket
- ca. 1743
63
- Sun Under a Cloud
- 1745
64
- A Calm
- 1754
65
- Morning
- 1753
66
- Wooded Landscape with a River Leading to Distant Buildings
- undated
67
- Greenland Fishery
- 1754
68
- Shipwreck
- 1745
69
- Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
- 1793
70
- Peter and John Going to the Sepulchre
- 1784
71
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
72
- Niobe
- 1792
73
- Juvenis auscultans seni de divinis admonenti
- 1764
74
- Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
- between 1713 and 1718
75
- Dudley Priory in Worcestershire, Plate 2
- before 1786
76
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
77
- Mail Coach
- ca. 1787
78
- Rochester, Kent: from the North
- ca. 1790
79
- The Ascent of Vesuvius
- 1785 to 1790
80
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
81
- Glasgow Cathedral
- between 1794 and 1795
82
- The Tithe Barn at Abbotsbury with the Abbey on the hill..
- ca. 1795
83
- Warships Preparing to Sail from their Anchorage
- 1782
84
- Shipping in the Solent off Calshot Castle
- between 1760 and 1793
85
- An Arcadian Landscape
- 1742
86
- Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
- 1790
87
- The Northern Boundary of St. Bride's Bay
- 1792
88
- The Val d'Aosta, Piedmont
- 1784
89
- Craig y Ladron - The Thieves Precipice
- 1797
90
- Cattle Watering by a Stream
- undated
91
- Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
- ca. 1792
92
- The Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
93
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
94
- March
- 1793
95
- February
- 1793
96
- June
- 1789
97
- Sheep-Sheering
- 1798