Studies for the Head of a Lady (Studies of a Woman's Head)
undated
7
George Romney, 1734–1802
A Pensive Lady
undated
8
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
9
George Romney, 1734–1802
A Seated Woman
undated
10
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
11
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
12
George Romney, 1734–1802
Study of a Lady Standing
undated
13
George Romney, 1734–1802
Achilles Wounded
undated
14
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
undated
15
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
16
George Romney, 1734–1802
Mythological Group of Women and Children
undated
17
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
18
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
19
unknown artist
Three Figure Studies
undated
20
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
21
Julia Swinburne, ca. 1795–1893
A Sandwich Islands Group
June 5, 1824
22
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
23
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
24
John Bacon, 1740–1799
Allegorical female figure: piety holding a nest of pelicans
undated
25
John Bacon, 1740–1799
Allegorical Female Figure: holding a flaming torch
undated
26
Samuel Scott, 1701/2–1772
A Groom on Horseback, Drinking
undated
27
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
28
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
29
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
30
Paul Sandby, 1731–1809
Studies of a Carter Pumping Water For His Horses
undated
31
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
32
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
33
James Seymour, 1702–1752
Rider in Armour
undated
34
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
35
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
36
John Vanderbank, 1694–1739
The Scholar Placed in His Seat Without Styrrops
1729
37
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
38
James Seymour, 1702–1752
Victorious
undated
39
unknown artist
Morning
1799
40
unknown artist
Mid-Day
1799
41
unknown artist
Evening
1799
42
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
43
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
44
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
45
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
46
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
47
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
48
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
49
James Seymour, 1702–1752
Flying Childers and Grooms
undated
50
James Seymour, 1702–1752
Coursing - After the Kill
undated
51
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
52
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
53
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
54
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
55
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
56
unknown artist
Tattersall's Training School
1771
57
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
58
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
59
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
60
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
61
Peter Tillemans, 1684–1734
Stag Hunting: Rider With Hounds About to Bring the Stag Down
undated
62
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
63
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
64
Paul Sandby, 1731–1809
Two Girls Seated
undated
65
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
66
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
67
James McArdell, ca. 1729–1765
Autumn
68
Print made by Richard Houston, ca. 1721–1775
Domestic Amusement: Playing on the Guitar
ca. 1760
69
Print made by John Faber the Younger, ca. 1695–1756
The Scytheman's Refreshment
undated
70
Print made by Richard Houston, ca. 1721–1775
Domestic Employment: Washing
undated
71
Print made by John Chalon, 1738 – 1795
Study
1789-1790
72
Print made by John Chalon, 1738 – 1795
Study
1789-1790
73
Print made by John Chalon, 1738 – 1795
Study
1790
74
Print made by John Chalon, 1738 – 1795
Study
1789-1790
75
Print made by John Chalon, 1738 – 1795
Study
1789-1790
76
Print made by John Chalon, 1738 – 1795
Study
1789-1790
77
Print made by John Chalon, 1738 – 1795
Study
1789-1790
78
Print made by John Chalon, 1738 – 1795
Study
1789-1790
79
Print made by John Chalon, 1738 – 1795
Study
1789-1790
80
Print made by John Chalon, 1738 – 1795
Study
1789-1790
81
Print made by John Condé, 1765–1794
T. Banks, Sculptor, R. A
1791
82
Francis David Soiron, Born 1764
The Promenade in St. James's Park
1793
83
Print made by John Chalon, 1738 – 1795
Study
1789-1790
84
Print made by John Chalon, 1738 – 1795
Study
1789-1790
85
Print made by John Chalon, 1738 – 1795
Study
1789-1790
86
Print made by John Chalon, 1738 – 1795
Study
1789-1790
87
Print made by John Chalon, 1738 – 1795
Study
1789-1790
88
Print made by John Chalon, 1738 – 1795
Study: Head of a Bearded Old Man in a Cap with his Head Resting on his Hand
1789
89
Print made by John Chalon, 1738 – 1795
Study
1789-1790
90
Print made by John Chalon, 1738 – 1795
Study
1789-1790
91
Print made by John Chalon, 1738 – 1795
Study
1789-1790
92
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
93
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
94
Print made by Charles Bretherton, ca. 1760–1783
Lady Pointing with a Stick
1782
95
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
96
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
97
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
98
Print made by James Bretherton, ca. 1730–1806
The Full Blown Macaroni
1772
99
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
100
Francesco Bartolozzi, 1728–1815
Sheet of Anatomical Studies of the Shoulder Muscles