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Subject Terms women

William Blake Visions of the Daughters of Albion, Plate 2, Title Page

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 2, Title Page

1793

William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

1793

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Caroline Watson Garrick Reading the Ode at the Shakespeare Jubilee

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Edward Radclyffe Peat-Gatherers

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Richard Bentley A Prospect of Vapourland

Richard Bentley, 1708–1782

A Prospect of Vapourland

1759

Paul Sandby Bridgenorth, Shropshire

Paul Sandby, 1731–1809

Bridgenorth, Shropshire

ca. 1801

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Robert Sargent Austin Italian Fair

Print made by Robert Sargent Austin, 1895–1973

Italian Fair

1923

Richard Parkes Bonington L'Eglise de St. Gervais et St. Protais

Print made by Richard Parkes Bonington, 1802–1828

L'Eglise de St. Gervais et St. Protais

1824

Richard Parkes Bonington Ancienne Porte a Stirling

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Porte a Stirling

1826

Richard Parkes Bonington Croix de Moulin les Planches

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Richard Parkes Bonington Edinbourgh vu de la Chapelle S. Antoine

Print made by Richard Parkes Bonington, 1802–1828

Edinbourgh vu de la Chapelle S. Antoine

ca. 1826

Richard Parkes Bonington Façade de l'Eglise de Brou

Print made by Richard Parkes Bonington, 1802–1828

Façade de l'Eglise de Brou

1825

Richard Parkes Bonington Rue du Gros Horloge

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Richard Parkes Bonington Tour aux Archives a Vernon

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale de l'Eglise de l'Abbaye de Tournus

1825

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

John Bell Charon's Boat

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

James Mitan Turin from the Portico of the Superga Church

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Lydia Bates Little Missenden Church from the Southeast

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Paul Sandby An Encampment in St. James Park

Paul Sandby, 1731–1809

An Encampment in St. James Park

ca. 1780

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

William Byrne View of Leiston Abbey

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Sir James Thornhill Design for a portrait of an architect or a painter

Sir James Thornhill, 1675–1734

Design for a portrait of an architect or a painter

undated

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Paul Sandby, 1731–1809

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767

George Fennell Robson Macbeth and Banquo on the Heath

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

ca. 1830

Paul Sandby Roslin Castle, Midlothian

Paul Sandby, 1731–1809

Roslin Castle, Midlothian

ca. 1780

unknown artist St. Martin's Church

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

unknown artist The South Sea House

Print made by unknown artist

The South Sea House

between 1720 and 1728

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

John White Abbott A View of Core's Library, Dawlish, Devon

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

John James Barralet The Road to East Grinstead

John James Barralet, 1747–1815

The Road to East Grinstead

Undated

Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream

Francis Wheatley, 1747–1801

Country Scene: Figures by a Cottage Door and Cattle in a Stream

1795

Thomas Shotter Boys Hotel de Ville, Hague

Thomas Shotter Boys, 1803–1874

Hotel de Ville, Hague

1859

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863

The Grand Canal, Venice

1835

John William Inchbold In Richmond Park

John William Inchbold, 1830–1888

In Richmond Park

1869

John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon

John Martin, 1789–1854

The Daughters of Jerusalem Weeping by the Waters of Babylon

1834

John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

John Nixon, ca. 1760–1818

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

1804

Henry Monro High Street at Bushey, Hertfordshire

Henry Monro, 1791–1814

High Street at Bushey, Hertfordshire

1812

unknown artist Roundway Park, Wiltshire: Exterior View

unknown artist

Roundway Park, Wiltshire: Exterior View

ca. 1840

John Dixon Miss Emma Crewe and Miss Elizabeth Crewe

John Dixon, ca. 1740–1811

Miss Emma Crewe and Miss Elizabeth Crewe

1782

Richard Parkes Bonington Rue du Gros-Horloge, Rouen

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros-Horloge, Rouen

1824

Sir Muirhead Bone A Spanish Good Friday

Print made by Sir Muirhead Bone, 1876–1953

A Spanish Good Friday

1925

Jacques Bouillard Franciscus Bartolozzi

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

John Linnell Job's Despair

circle of John Linnell, 1792–1882

Job's Despair

undated

Valentine Green The Three Marys Going to the Sepulchre

Print made by Valentine Green, 1739–1813

The Three Marys Going to the Sepulchre

1784

William Sharp Niobe

Print made by William Sharp, 1749–1824

Niobe

1792

Thomas Park Mrs. Jordan in the Character of the Comic Muse

Print made by Thomas Park, ca. 1760–1834

Mrs. Jordan in the Character of the Comic Muse

1787

William Faithorne the Younger Juno and Iris

Print made by William Faithorne the Younger, ca. 1669–1703

Juno and Iris

between 1695 and 1703

Robert Dunkarton Sisters Contemplating on Mortality

Print made by Robert Dunkarton, 1744–1811

Sisters Contemplating on Mortality

1770

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Robert Smirke Five Vignettes of Scenes from Antiquity

Robert Smirke, 1752–1845

Five Vignettes of Scenes from Antiquity

undated

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734