View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
7
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
8
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
9
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
10
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
11
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
12
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
13
Attributed to John Carter, 1748–1817
Springing of groins
1815
14
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
15
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
16
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
17
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
18
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
19
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
20
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
21
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
22
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
23
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
24
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
25
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
26
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
27
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
28
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
29
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
33
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
34
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
35
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
36
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
37
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
38
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
39
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
40
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
41
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
42
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
44
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
45
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
57
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
58
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
59
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
60
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
61
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
62
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
63
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
64
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
65
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
66
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
67
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
68
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
69
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
70
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
71
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
72
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
73
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
74
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
75
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
76
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
77
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
78
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
79
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
80
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
81
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
82
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
83
George Harley, 1791–1871
Ruins of Westminster Palace
1834
84
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
85
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
86
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
87
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
88
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
89
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
90
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
91
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
92
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
93
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
94
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
95
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
96
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
97
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
98
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room