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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomGenre religious and mythological subject
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1
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
2
- The Morning of Life
- 1860-1861
3
- The Vine
- 1852
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- The Vine
- 1852
7
- Procris and Cephalus
- 1812
8
- Jason
- 1807
9
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
10
- The Deluge
- between 1813 and 1823
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- Glaucus and Scylla
- between 1813 and 1823
13
- Apuleia in Search of Apuleius
- between 1813 and 1823
14
- Glaucus and Scylla
- 1813 to 1823
15
- Glaucus and Scylla
- between 1813 and 1823
16
- Christ and the Woman of Samaria
- 1819
17
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
18
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
21
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
22
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
23
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
24
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
25
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
26
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
27
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
28
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
29
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
30
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
31
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
32
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
33
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
34
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
35
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
36
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
37
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
38
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
39
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
42
- Jerusalem, Plate 76
- 1804 to 1820
43
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
44
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
45
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
46
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
47
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
48
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
49
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
50
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
51
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
52
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
53
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
54
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
55
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
56
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
57
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
58
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
59
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
60
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
61
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
62
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
63
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
64
- Adam and Eve
- undated
65
- The Baptism of Christ
- undated
66
- Apollo and Daphne
- between 1770 and 1799
67
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
68
- The Rape of Persephone
- undated
69
- Florence, from the Chiesa al Monte
- 1820
70
- Florence, from the Chiesa al Monte
- 1820
71
- A Large Christmas Card
- 1895
72
- Venus, after Masters of Tarrochi
- undated
73
- An Allegory of Love
- Undated
74
- Deucalion and Pyrrha after the Flood
- 1784
75
- Lot and His Family
- ca. 1718
76
- The Rescue of Lot
- 1833
77
- The Woman at the Well
- undated
78
- Madonna with a Rabbit
- undated
79
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
80
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
81
- Cain and Abel
- undated
82
- The Rising of the Waters
- undated
83
- Christ with Three Figures
- undated
84
- Florence, from the Chiesa al Monte
- 1820
85
- Cupid in Masquerade
- undated
86
- Nymphs Bathing
- undated
87
- Pomona - The Goddess of Orchards
- undated
88
- The Holy Family
- undated
89
- St. John in the Wilderness
- undated
90
- Virgin, Child and St. John
- undated
91
- Pyramus and Thisbe
- undated
92
- A Satyr Family
- undated
93
- A Satyr Family
- undated
94
- Bacchus
- undated
95
- Flora and Putti
- undated
96
- Nymphs Bathing
- undated
97
- The Devout
- undated
98
- Bacchus and Ariadne
- undated
99
- St. Francis
- between 1681 and 1688
100
- Elijah
- undated