Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
602
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
603
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
604
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
605
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
606
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
607
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
608
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
609
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
610
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
611
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
612
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
613
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
614
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
615
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
616
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
617
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
618
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
619
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
620
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
621
Cornelius Varley, 1781–1873
Study near Harlech Castle
undated
622
attributed to Peter DeWint, 1784–1849
A Yorkshire Farm
undated
623
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
624
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
625
David Cox, 1783–1859
Battle Abbey, Sussex
undated
626
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
627
David Cox, 1783–1859
Richmond Bridge
undated
628
John Varley, 1778–1842
Carnarvon Castle
undated
629
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
630
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
631
Thomas Rowlandson, 1756–1827
Southhampton, the Watergate and Globe Inn
undated
632
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
633
Thomas Rowlandson, 1756–1827
The London Citizen
undated
634
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
635
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
636
Thomas Rowlandson, 1756–1827
The South Gate, Exeter
undated
637
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
638
Thomas Rowlandson, 1756–1827
Falls on the River Conwy, North Wales
undated
639
Thomas Rowlandson, 1756–1827
The Bookmaker and his Client outside the Ram Inn, Newmarket
undated
640
Thomas Rowlandson, 1756–1827
A Review of the Northapmton Militia at Brackley
undated
641
Thomas Rowlandson, 1756–1827
Richmond Park
undated
642
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
643
Thomas Rowlandson, 1756–1827
The Woolpack Inn
undated
644
Thomas Rowlandson, 1756–1827
Bradwell Lodge, Bradwell Quay, Essex
undated
645
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
646
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
647
Peter DeWint, 1784–1849
A Meet in the grounds of Raby Castle
undated
648
Thomas Rowlandson, 1756–1827
Milkmaids and Gentlemen in St. James's Park
undated
649
James Miller, active 1773–1814
The Fulham End of Putney Bridge
undated
650
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
651
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
652
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
653
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
654
John Varley, 1778–1842
Ouse Bridge, York
undated
655
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
656
Print made by John Clerk of Eldin, 1728–1812
Old Tower, Leith
undated
657
Print made by John Browne, 1741–1801
A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
after 1762
658
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
659
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
660
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
661
Attributed to Robert Dixon, 1780–1815
Norwich from the gravel pits
undated
662
Samuel Davis, 1760–1819
Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire
undated
663
John Warwick Smith, 1749–1831
The Priory of Beddgelert, Caernarfonshire
undated
664
John Warwick Smith, 1749–1831
A Fisherman in the Vale of Myfod, Site of the Palace of the Princess of Powis
undated
665
Thomas Girtin, 1775–1802
Winchester Cathedral, Hampshire, from the North-East
after 1794
666
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
667
Samuel Atkins, active 1787–1808
A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
between 1787 and 1808
668
Sir Jeffry Wyatville, 1766–1840
Design for Covered Bridge over the Great Western Road
undated
669
Sir Jeffry Wyatville, 1766–1840
Design for the Old Lime Kiln Seat, Home Park, Windsor
undated
670
David Cox, 1783–1859
On the Conway River, North Wales
undated
671
Rev. William Gilpin, 1724–1804
Snowdon
undated
672
Edward Dayes, 1763–1804
The Keep, Porchester Castle
undated
673
Edward Dayes, 1763–1804
Llanthony Abbey, Monmouthshire
undated
674
Edward Dayes, 1763–1804
A Cottage near Southampton
undated
675
Edward Dayes, 1763–1804
Conway Castle, Caernarvonshire
undated
676
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated
677
Edward Dayes, 1763–1804
Cumberland Landscape
undated
678
Edward Dayes, 1763–1804
Durham Cathedral
undated
679
Attributed to Edward Dayes, 1763–1804
Corwen Marketplace, North Wales
undated
680
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
681
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
682
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
683
Thomas Rowlandson, 1756–1827
Bridewell, The Pass Room, House of Correction
undated
684
Thomas Rowlandson, 1756–1827
Giant's Causeway, Antrim, Ireland
undated
685
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
686
Rev. William Gilpin, 1724–1804
Bridge on the Malton Road from York
undated
687
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
688
Mary Smirke, 1779–1853
Upnor Lodge
1820
689
attributed to Thomas Rowlandson, 1756–1827
Lyson's Cottage, Cowes, Isle of Wight
undated
690
Thomas Girtin, 1775–1802
Trees in Hyde Park, London
ca. 1800
691
Thomas Girtin, 1775–1802
Stokesay Castle: Interior of a Raftered Hall
ca. 1800
692
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark