Image Available: Available / Work Type: intaglio print and relief print

1. Bacharach

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Bacharach and View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Albanian Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 1/16 x 4 13/16 inches (5.3 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Chepstow Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Cathedrals in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Garden Flowers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 3 7/16 x 6 3/4 inches (8.7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Garden Flowers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 3 7/16 x 6 7/8 inches (8.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Oriental Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Italian Peasants - Tryoliean Waltz.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:: Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Rural Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Tintern Abbey

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Swiss Costumes

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and stipple engraving, with color woodcut on cream card mounted in beige card
Dimensions:: Sheet: 5 1/4 × 7 15/16 inches (13.3 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Little Red Riding Hood

Creator:: Print made by imitator of George Baxter, 1804–1867
Date:: after 1856
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Castles in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Crimean War

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 8 1/8 × 9 7/16 inches (20.7 × 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Farmer's Boy & The Rustic Angler

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 6 5/16 inches (11.1 x 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Haddon Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Greenwich Hospital

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Her Majesty Queen Victoria & Family

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: ca. 1851
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/16 inches (12.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Last Supper

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: ca. 1854
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:: Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Queen Victoria

Creator:: after George Baxter, 1804–1867
Date:: ca. 1860
Materials & Techniques:: Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Returning from the Spring. Virginia.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Christ's Charge to Peter

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Belle of the Village

Creator:: Print made by George Baxter, 1804–1867
Date:: 1854
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:: Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 13/16 x 4 15/16 inches (4.6 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Modern Toilet. Camber's Letter to John Bull

Creator:: Print made by unknown artist
Date:: 1781
Materials & Techniques:: Mezzotint and letterpress on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Etching and line engraving, with letterpress on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 11 3/8 inches (43.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Wrapper for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Front of Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Wrapper for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ports of England, Title Page and Wrapper

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Landscape with Lake and Herd of Deer

Creator:: Print made by George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Rest on the Flight to Egypt

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Sea Port at Sunset with Four Figures

Creator:: Print made by George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 5/8 x 11in. (21.9 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Tomb of Cecilia Metella

Creator:: Print made by George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 7 5/8 x 12 5/8in. (19.4 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Coast View with Aeneas Hunting

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 9 3/4 x 12in. (24.8 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Abraham Expelling Hagar and Ishmael

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with woodcut
Dimensions:: Sheet: 6 1/2 x 8 1/2in. (16.5 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Landscape with Cattle Herder under a Tree

Creator:: Print made by George Knapton, 1698–1778
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 1/2 x 11 3/4in. (21.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Seascape

Creator:: Print made by George Knapton, 1698–1778
Date:: 1732 to 1736
Materials & Techniques:: Etching with woodcut
Dimensions:: Sheet: 8 1/4 x 12in. (21 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Landscape with Tobias and the Angel

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Nude Figure Carrying Jars

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 19 x 7 3/4in. (48.3 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Mucius Scaevola Burning his Hand

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cavalry Advancing to the Charge

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 3/4 x 10 1/2in. (22.2 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Two Studies of Reclining Male Nude Figures

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 6 x 7 3/4in. (15.2 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Venus Seated in Her Chariot

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 6 5/8 x 9 1/4in. (16.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Seated Female Figure with a Large Book

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 5 7/8 x 1/16in. (14.9 x 0.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Man Seated on a Rock

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Plate: 16 1/2 x 12 5/8in. (41.9 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Philosopher Seated under a Tree

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 16 3/8 x 12 1/2in. (41.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Juno Confiding Io to the Custody of Argus

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 11 9/16 x 13 5/16in. (29.4 x 33.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Monks in a Garden

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1740
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 13 5/8 x 9 9/16in. (34.6 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Untitled: Dwarf painting

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 12 x 8 1/8in. (30.5 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Two Allegorical Female Figures, with Two Putti

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 3/8 x 7 1/2in. (21.3 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Child Christ and Saint Joseph

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with woodcut
Dimensions:: Sheet: 8 9/16 x 10 1/16in. (21.7 x 25.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Classical Ruins with the Arch of Constantine

Creator:: Print made by George Knapton, 1698–1778
Date:: 1740
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 5 3/4 x 9 3/8in. (14.6 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Adoration of the Shepherds

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 1/4 x 10 1/2in. (21 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View Across the Tiber with the Dome of St. Peter

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 8 3/4 x 10 5/8in. (22.2 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Classical Scene, Group of Five Figures

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 6 1/4 x 4 1/4in. (15.9 x 10.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Saint Anthony Pursued by Demons

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 17 x 11 1/8in. (43.2 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Bacharach

2. View near Bingen

3. Bacharach and View near Bingen

4. Albanian Scenes

5. Constantinople

6. Chepstow Castle

7. Cathedrals in England

8. Eight colour prints

9. Four Subjects

10. Garden Flowers

11. Garden Flowers

12. Eaton Hall

13. Oriental Scenes

14. Italian Peasants - Tryoliean Waltz.

15. Balmoral Castle

16. Rural Scenes

17. Tintern Abbey

18. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

19. Swiss Costumes

20. Ten Needle-Box Prints

21. Balmoral Castle

22. The Great Exhibition: Exterior View from the Southwest

23. Little Red Riding Hood

24. Pomare, Queen of Tahiti

25. George Pritchard, Her Britannic Majesty's Consul

26. Castles in England

27. The Crimean War

28. Double Hairpin Set

29. Eight Rural Subjects

30. The Farmer's Boy & The Rustic Angler

31. Four Subjects

32. Four Subjects

33. Four Subjects

34. Haddon Hall

35. Greenwich Hospital

36. Her Majesty Queen Victoria & Family

37. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

38. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

39. Hampton Court

40. The Last Supper

41. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

42. Newstead Abbey

43. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

44. Prince Albert

45. The Death of Ananias

46. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

47. Ben Nevis

48. Queen Victoria

49. Returning from the Spring. Virginia.

50. Christ's Charge to Peter

51. Set of Needle-Box Prints

52. Set of Needle-Box Prints

53. Set of Needle-Box Prints

54. Balmoral Castle

55. The Belle of the Village

56. Funeral of the Late Duke of Wellington

57. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

58. Highland Dancers

59. Osborne House

60. Prince Albert

61. Modern Toilet. Camber's Letter to John Bull

62. Matlock

63. Wrapper for Ports of England

64. Front of Wrapper for Rivers of England (Number One)

65. Wrapper for Ports of England

66. Ports of England, Title Page and Wrapper

67. Landscape with Lake and Herd of Deer

68. Rest on the Flight to Egypt

69. A Sea Port at Sunset with Four Figures

70. The Tomb of Cecilia Metella

71. Coast View with Aeneas Hunting

72. Abraham Expelling Hagar and Ishmael

73. Landscape with Cattle Herder under a Tree