Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
2
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
3
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
4
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
5
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
6
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
7
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
8
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
9
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
10
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
11
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
12
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
13
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
14
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
15
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
17
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
18
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
19
William Payne, active 1850s
Private View of the Royal Academy
1858
20
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
21
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
39
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
40
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
41
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
42
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
43
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
44
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
45
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
46
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
47
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
48
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
54
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
55
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
56
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
58
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
59
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
60
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
61
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
64
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
69
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
70
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
71
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
72
unknown artist
Exterior of Painted Chamber, North View
undated
73
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
75
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
76
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
77
George Harley, 1791–1871
Ruins of Westminster Palace
1834
78
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
79
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
80
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
86
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
87
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
88
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
89
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
90
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
91
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
92
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
93
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
94
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
95
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard