Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
102
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
103
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
104
unknown artist
The Royal Palace of St. James's next the Park
105
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
106
John Maurer, active 1713–1761
A Perspective View of Whitehall
107
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
108
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
109
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
110
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
111
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
112
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825
113
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
114
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
115
John Boydell, 1720–1804
St. Clement Danes
1751
116
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
117
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
118
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
119
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
120
Charles Heath, 1785–1848
Green Park
1825
121
Print made by R. F. Cahusac, active 1830
Athenaeum
1830
122
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
123
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
124
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
125
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
126
Charles Heath, 1785–1848
Regent's Canal Basin, City Road
undated
127
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
128
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
129
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
130
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
131
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
132
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
133
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
134
unknown artist
A view of the inside of Westminster Hall
ca. 1700
135
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
136
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
137
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
138
Print made by James Basire, Sr., British, 1730 - 1802
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
139
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
140
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
141
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
142
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
143
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
144
Print made by James Basire, Sr., British, 1730 - 1802
Plate XI: St Stephen's Chapel
1795
145
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
146
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
147
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
148
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
149
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
150
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
151
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
152
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
153
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
154
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
155
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
156
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
157
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
158
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
159
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
160
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
161
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
162
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
163
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
164
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
165
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
166
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
167
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
168
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
169
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
170
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
171
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
172
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
173
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
174
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
175
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
176
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
177
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
178
unknown artist
Survey view of a lobby, Palace of Westminster
undated
179
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
180
unknown artist
Peers' Entrance
undated
181
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
182
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
183
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
184
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
185
unknown artist
New Rooms at Westminster for the Bishops
undated
186
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
187
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
188
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
189
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
190
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
191
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
192
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
193
unknown artist
Exterior of Painted Chamber, North View
undated
194
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
195
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
196
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
197
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
198
Print made by James Basire, Sr., British, 1730 - 1802
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
199
Print made by James Basire, Sr., British, 1730 - 1802