Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
2
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
7
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
8
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
9
Print made by William Blake, 1757–1827
Air; Plate 6
1793
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
19
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
20
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
21
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
22
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
23
Print made by James Walker, 1748–1808
Sheffield
1798
24
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
25
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
26
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
27
Print made by James Walker, 1748–1808
Rochester
1794
28
Print made by John Landseer, 1769–1852
Orchard Bay
1799
29
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
30
Print made by John Landseer, 1769–1852
Orchard Bay
1799
31
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
32
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
33
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
34
Print made by John Landseer, 1769–1852
Shanklin Castle
1799
35
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
36
Print made by John Landseer, 1769–1852
Cowes
1799
37
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
38
Print made by James S. Storer, 1771–1853
Chepstow
1794
39
Print made by James Walker, 1748–1808
Rochester
1794
40
Print made by James Walker, 1748–1808
Bridgenorth
1795
41
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
42
Print made by George Murray, died 1822
Staines
1795
43
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
44
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
45
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
46
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
47
Print made by James S. Storer, 1771–1853
Part of Balliol College Quadrangle
1809
48
Print made by James Basire the younger, 1769–1822
View of the Cathedral of Christ Church and Part of Corpus Christi College
1808
49
Print made by James Basire the younger, 1769–1822
View of the Cathedral of Christ Church and Part of Corpus Christi College
1811
50
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
51
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
52
Print made by Samuel Rawle, 1771–1860
North East View of Dunster Castle, Somersetshire
1800
53
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
54
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
55
Print made by Samuel Rawle, 1771–1860
South West View of Dunster Castle, Somersetshire
1800
56
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
57
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
58
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
59
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
60
Print made by A. Birrell, ca.1770–ca. 1820
John Home, Esq
1799
61
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
62
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
63
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
64
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
65
Print made by Esme de Boulonois, active 1645–1681
Antonius Morus Ultraiectinus Pictor
between 1645 and 1681
66
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
67
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
68
Print made by William Richardson, active 1842–1877
Ashestiel
1835
69
Print made by William Sharp, 1749–1824
Niobe
1792
70
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
71
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
72
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
73
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
74
Print made by Thomas Chambars, ca. 1724–1789
Robert van Voerst
1771
75
Print made by James Walker, 1748–1808
Rochester
1794
76
Print made by James S. Storer, 1771–1853
Chepstow
1794
77
Print made by James Walker, 1748–1808
Bridgenorth
1795
78
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
79
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
80
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
81
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
82
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
83
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
84
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
85
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
86
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
87
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
88
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...