Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
20
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
21
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
22
unknown artist
Culraven and Broadfield
undated
23
unknown artist
Nuntons
undated
24
unknown artist
Townhead and Drummore
undated
25
unknown artist
Balgreddan and Whinny Liggate
undated
26
unknown artist
Mayfield
undated
27
unknown artist
Little Kirkland
undated
28
unknown artist
Netherthird
undated
29
unknown artist
The Farm
undated
30
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
31
Henry Monro, 1791–1814
A Wooded Track
1813
32
Monro School
Near Sterzing, Tyrol
ca. 1800
33
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
34
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
35
John Nixon, ca. 1760–1818
In Mr. Barnard's Boat, Kingston
undated
36
Philippe-Jacques de Loutherbourg, 1740–1812
The Front at Brighton
undated
37
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
38
unknown artist
Senwick
undated
39
unknown artist
Bombie Mill, Bombie, Tongue of Bombie
undated
40
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
41
Alexander Nasmyth, 1758–1840
Edinburgh
undated
42
unknown artist
Indian Statue
undated
43
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
44
John Glover, 1767–1849
Two Little Girls
ca. 1810
45
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
46
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
47
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
48
Thomas Hearne, 1744–1817
Landscape
undated
49
Thomas Grieve, 1799–1882
Design for Covent Garden Drop Curtain
1823
50
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
51
William Jefferys, 1730–ca. 1805
Maidstone, Kent
undated
52
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
53
John Baverstock Knight, 1785–1859
Tree Study
undated
54
Samuel Howitt, 1756–1822
Deer Before a Thicket
undated
55
Joseph Wilton, 1722–1803
Design for a Vase
undated
56
William Knight, active 1807–1845
Chiddingstone Place, View from the Lake
ca. 1850s
57
Amelia Long, 1762–1837
View at Harrow: with farm-worker, cart and ruined barn
undated
58
John McKinlay, 19th century
Mayfield
1812
59
unknown artist
Little Sypeland
undated
60
unknown artist
Back, Gata and North, Milton
undated
61
unknown artist
Balmae
undated
62
unknown artist
Torrs
undated
63
unknown artist
Kirkeoch, Nun Mill
undated
64
unknown artist
Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
undated
65
unknown artist
North Nunton; South Nunton
undated
66
John Howatson, active 1813
Farm of Highbanks
1813
67
unknown artist
Little Sypeland
undated
68
unknown artist
Whinny Liggate; Balgredan
undated
69
unknown artist
Palmangan
undated
70
John Martin, 1789–1854
The Walls of Jericho
1834
71
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
72
John Martin, 1789–1854
Moonlit Landscape with a Ruined Castle
between 1820 and 1830
73
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
74
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
75
Sir Walter Thomas Monnington, 1902–1976
Low Flying Spitfires over Trees
undated
76
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
undated
77
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
78
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
79
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
undated
80
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
81
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
undated
82
John Nash, 1752–1835
Design for Knepp Castle, Sussex: Perspective
undated
83
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
84
George Morland, 1763–1804
Peasants in a Grotto
undated
85
unknown artist
Two Trees
undated
86
unknown artist
Landscape with Waterfall
undated
87
Student of Thomas Sandby, 1721–1798
Rockhewn Temple of Elephanta
ca. 1770-1790
88
Sir George Howland Beaumont seventh Baronet, 1753–1827
View on the Coast of Italy
undated
89
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
90
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
91
Sir George Howland Beaumont seventh Baronet, 1753–1827
Figure in Tree near Pond
undated
92
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
93
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
94
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
95
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
96
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
97
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
98
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
99
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
100
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter