Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
4
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
5
A book of drawing, limning, washing or colouring of maps and prints,
1647
6
Sanderson, William, Sir, 1586?-1676
Graphice
1658
7
A book of drawing, limning, washing or colouring of maps and prints
1660
8
The excellency of the pen and pencil,
1668
9
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
10
P. L
The English academy
1672
11
Browne, Alexander, active 1660–1677
Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
12
Smith, John, fl. 1673–1680
The art of painting
1676
13
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
14
The excellency of the pen and pencil,
1688
15
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
16
Art's masterpiece
1697
17
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
18
Art's masterpiece
[170-?]
19
Art's master-piece
[171-?]
20
Art's master-piece
[1710?]
21
Le Blon, J. C., 1667–1741
Coloritto, or, The harmony of colouring in painting
[1725]
22
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
23
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
24
Lairesse, Gérard de, 1640–1711
The art of painting,
1738
25
Bickham, George, 1706?-1771
General rures [sic] for painting in oil and water-colours;
1747
26
Arts companion, or A new assistant for the ingenious,
1749
27
The art of painting in miniature ..
1752
28
The art of drawing and painting in water-colours
1755
29
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
30
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
31
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever
1763
32
Lairesse, Gérard de, 1640–1711
The principles of design
1777
33
Robertson, Hannah
The young ladies school of arts
1777
34
Cousin, Jehan, ca. 1522–ca. 1593
L'art de dessiner
MDCCLXXVIII [1778]
35
[Claude glass]
[ca. 1780?]
36
Instructions in the art of drawing and painting
[between 1782 and 1807]
37
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
38
The bee, or, The exhibition exhibited in a new light
1788
39
Smith, John, fl. 1673–1680.
The art of painting in oil
1788
40
Massoul, Constant de
A treatise on the art of painting,
1797
41
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
42
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
43
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
44
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
45
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil and water colours
1803
46
Genlis, Stéphanie Félicité, comtesse de, 1746–1830
Neues und fassliches Lehrbuch zum Zeichnen und Mahlen nach richtigen Grundfässen
1805
47
Guest, T. R. (Thomas Robert)
A new pocket sketch book
1807
48
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
49
Sowerby, James, 1757–1822
A new elucidation of colours, original, prismatic, and material
MDCCCIX [1809]
50
Experienced artist
The painter's primer
1810
51
The principles of drawing and painting
1811
52
Payne, John
The art of painting in miniature, on ivory,
1812
53
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
54
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
55
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
56
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
57
Richter, Henry, 1772–1857
Day-light
1817
58
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
59
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
60
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
61
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
62
Payne, John
The art of painting in miniature, on ivory,
1820
63
Cennini, Cennino, active 15th century
Di Cennino Cennini trattato della pittura
1821
64
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
65
Pinnock, William, 1782–1843
A catechism on the practice of painting in oil
1821 [i.e. 1823]
66
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
67
Sillett, James, 1764–1840
Grammar to flower-painting
1826
68
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
69
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
70
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
71
Burnet, John, 1784–1868
Practical hints on colour in painting
ix p., 1 leaf, 64 p
72
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
73
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
74
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
75
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1830
76
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
77
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1834
78
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
79
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
80
Everard, Anne
Flowers from nature
1835
81
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
82
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
83
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
84
Fielding, T. H. (Theodore Henry), 1781–1851
On the theory of painting
1836
85
Burnet, John, 1784–1868
Practical hints on composition in painting
1836
86
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
87
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1838
88
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits