Associated Places: United Kingdom / Work Type: watercolor / Subject Terms: horses (animals) / Classification: Drawings & Watercolors

1. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Morning at Tattersalls (with further sketches in left margin folded over)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dent de Lion, Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Corn Hill and Moot Hall, Ipswich

Creator:: George Frost, 1745–1821
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. St. Paul's Cathedral

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: undated
Materials & Techniques:: Watercolor, black ink, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 × 7 5/8 inches (13.5 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Finsbury Square

Creator:: George Sidney Shepherd, 1784–1862
Date:: 1814
Materials & Techniques:: Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Temple Bar

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: undated
Materials & Techniques:: Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Railway Office, Liverpool

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...

Creator:: Attributed to Edward Edwards, 1738–1806
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Village of Kirkstall, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. A Scene at Windsor

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Farningham, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1784
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. London Cries: A Tinker and His Wife

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray wash, graphite, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Old Walton Bridge seen from the Middlesex Shore

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Haymaking on the Banks of a Lincolnshire River

Creator:: attributed to Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 1/4 x 19 1/8 inches (18.4 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bayswater - London

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Saint Peter's Church, Hereford, from Butcher's Row

Creator:: follower of John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 22 5/8 inches (40 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View from the Round Tower, Windsor Castle

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 20 5/16 inches (31.3 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Proposed plan for Trafalgar Square

Creator:: George Belton Moore, 1805–1875
Date:: 1841
Materials & Techniques:: Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Leeds Castle, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Winchester Tower, Windsor Castle

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Gateway to Battle Abbey

Creator:: Henry Morton, ca. 1807–1825
Date:: after 1819
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Windsor Castle

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Exeter College, Oxford

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1835
Materials & Techniques:: Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Review on Epson Downs

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Coast Scene near Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:: Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Bayswater Turnpike

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 14 1/8 inches (28.3 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: ca. 1828
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View at Charlton, Kent

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1783
Materials & Techniques:: Gouache and watercolor on thin paper mounted on panel
Dimensions:: Sheet: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Old Bridge at Shrewsbury

Creator:: Paul Sandby, 1731–1809
Date:: 1772
Materials & Techniques:: Watercolor and gouache on canvas
Dimensions:: Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Woolwich Warren

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on very thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 x 27 1/8 inches (49.5 x 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Wychwood Forest

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1806
Materials & Techniques:: Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Cave of the Golden Calf: Kneeling Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

47. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966
Date:: 1933
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Creator:: Possibly Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Saddling Enclosure, Epsom

Creator:: James Barenger, 1780–after 1831
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Match at Newmarket

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Horses Resting in a Meadow near Bolsover Castle

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/4 inches (23.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Night Riders of Nacton: The Finish. Nacton Church and Village

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bridge of Don, Old Aberdeen

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:: Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Brighton

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:: Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of the Estate at Esholt Hall, Yorkshire

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

74. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

Creator:: Paul Sandby, 1731–1809
Date:: 1794
Materials & Techniques:: Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:: Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Church at Marlylebone

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

84. The Quorn towards Ashby de la Zouch, Leicestershire

Creator:: Lionel Edwards, 1878–1966
Date:: 1919
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View near Arwington Hall, Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1767
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 3/4in. (26.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

87. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Valley of Stones, Lynton, Devon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Queen Square, London

Creator:: Edward Dayes, 1763–1804
Date:: 1786
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Associated Places United Kingdom

Work Type watercolor

Subject Terms horses (animals)

Classification Drawings & Watercolors

Search Results

1. Over the Bank, Exmoor

2. A Morning at Tattersalls (with further sketches in left margin folded over)

3. Christ Church Gate, Canterbury

4. Interior of St. John's Palace, Eltham

5. Dent de Lion, Margate

6. Regent Street, Looking Toward Piccadilly From Waterloo Place

7. Corn Hill and Moot Hall, Ipswich

8. St. Paul's Cathedral

9. Finsbury Square

10. Temple Bar

11. Whitehall Showing Holbein's Gate and Banqueting Hall

12. Railway Office, Liverpool

13. St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...

14. The Village of Kirkstall, Yorkshire

15. Bridgenorth, Shropshire

16. A Scene at Windsor

17. Farningham, Kent

18. London Cries: A Tinker and His Wife

19. Old Walton Bridge seen from the Middlesex Shore

20. Haymaking on the Banks of a Lincolnshire River

21. North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey

22. Bayswater - London

23. A View of Core's Library, Dawlish, Devon

24. View on Exmoor

25. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

26. Saint Peter's Church, Hereford, from Butcher's Row

27. Harlech Castle and Twgwyn Ferry

28. View from the Round Tower, Windsor Castle

29. A Proposed plan for Trafalgar Square

30. Leeds Castle, Kent

31. Winchester Tower, Windsor Castle

32. Gateway to Battle Abbey

33. Windsor Castle

34. Exeter College, Oxford

35. A Review on Epson Downs

36. Coast Scene near Plymouth

37. The Gateway of Lancaster Castle

38. The Bayswater Turnpike

39. Edinburgh Castle and Horse Fair

40. Design for the Parterre at Hampton Court

41. High Street at Bushey, Hertfordshire

42. View at Charlton, Kent

43. Old Bridge at Shrewsbury

44. Woolwich Warren

45. Wychwood Forest

46. Cave of the Golden Calf: Kneeling Figures

47. The Leicestershire Hunt - A Struggle for the Start

48. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

49. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

50. Newmarket - Pulling Up

51. The Leicestershire Hunt - The Death

52. Westminster Abbey and St. Paul's from Battersea Fields

53. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

54. The Saddling Enclosure, Epsom

55. A Match at Newmarket

56. Unloading the Luggage From The Exeter Coach

57. A Race on the Knavesmire at York

58. Horses Resting in a Meadow near Bolsover Castle

59. The Night Riders of Nacton: The Finish. Nacton Church and Village

60. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

61. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

62. The Canterbury-Dover Coach Passing Vanbrugh Castle

63. Bridge of Don, Old Aberdeen

64. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

65. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

66. The Night Riders of Nacton: The Last Field near Nacton Heath

67. Brighton

68. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

69. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

70. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

71. The St. Leger, Doncaster: The Finish

72. The St. Leger, Doncaster: Preparing to Start