Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Use: Free to Use

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake, 1757–1827

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

William Henry Brooke, 1772–1860

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Verso by John Talman, 1677–1726

Studies, with Gardens, Possibly for a Talman Family House

undated

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Print made by William Faithorne, ca. 1620–1691

The Betrayal of Christ

1653

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808

Carlisle

1797

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

Print made by Thomas Tagg, died 1809

Flint

1795

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by Thomas Tagg, died 1809

Wallingford

1795

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

Print made by Thomas Tagg, died 1809

Bristol

1796

Print made by Thomas Tagg, died 1809

Northampton

1796

Print made by Thomas Rothwell, ca. 1742–1807

Swansea

1795

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by George Murray, died 1822

Neath

1795

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by George Murray, died 1822

Staines

1795

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by James Basire the younger, 1769–1822

View of Exeter College, All Saints Church, from the Turl

1806

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by James Basire the younger, 1769–1822

Seals of Whalley Abbey

1800

Print made by James Basire the younger, 1769–1822

Distant View of Whalley Abbey

1800

Print made by James Basire the younger, 1769–1822

Cloisters of Whalley Abbey

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by James Basire the younger, 1769–1822

Whalley Abbey (nearer view)

1800

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Image Use Free to Use

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Image Use Free to Use

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