The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
9
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
10
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
11
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
12
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
13
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
14
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorset
1813
15
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
16
Print made by William Bernard Cooke, 1778–1855
Weymouth
1813
17
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1812
18
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
19
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
20
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
21
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
22
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
23
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
24
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
25
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
26
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
27
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1821
28
Print made by William Bernard Cooke, 1778–1855
Margate
1822
29
Print made by William Bernard Cooke, 1778–1855
Margate
1822
30
Print made by William Bernard Cooke, 1778–1855
Margate
1823
31
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
32
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
33
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
34
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
35
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
36
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
37
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
38
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
39
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
40
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
41
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
42
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1825
43
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
44
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
45
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1814 to 1826
46
Print made by George Cooke, 1781–1834
Brighton
1825
47
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
48
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
49
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1825
50
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1826
51
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
52
Print made by William Radclyffe, 1780–1855
Deal, Kent
1826
53
Print made by John Horsburgh, 1791–1869
Whitstable, Kent
1814 to 1826
54
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
55
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
56
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
57
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
58
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
59
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
60
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
61
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
62
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
63
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
64
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
65
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
66
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
67
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
68
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
69
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
70
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
71
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
72
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
73
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
74
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
75
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
76
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
77
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
78
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
79
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
80
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
81
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
82
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
83
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
84
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
85
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
86
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
87
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
88
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
89
Print made by John Copley, 1875–1950
An Autumn Afternoon on Hampstead Heath
1939
90
Print made by Robert Brandard, 1805–1862
Tours
1833
91
Print made by Robert Brandard, 1805–1862
Blois
1833
92
Print made by Robert Spence, 1871–1964
George Fox Is Stoned by the Crowd at Walney Island
between 1890 and 1911
93
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
94
Print made by Robert Spence, 1871–1964
George Fox in the Garden of Dr. Craddock at Coventry