A Dialogue Betwixt Himself, and Mistress Eliza Wheeler by Robert Herrick
1880
2
Print made by Edwin Austin Abbey, 1852–1911
To an Old Woman, by Robert Herrick
1883
3
John White Abbott, 1763–1851
Canonteign, Devon
1804
4
John White Abbott, 1763–1851
Trees in a Wood
1807
5
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
6
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
7
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
8
John White Abbott, 1763–1851
Canonteign
1808
9
John White Abbott, 1763–1851
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
10
John White Abbott, 1763–1851
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
11
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
12
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
13
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
14
John Absolon, 1815–1895
Family Group
undated
15
John Absolon, 1815–1895
Trees by a Pool
Undated
16
attributed to John Absolon, 1815–1895
Peasant Girls
undated
17
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
18
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
19
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
20
Robert Adam, 1728–1792
Headfort House: Moldings
undated
21
Robert Adam, 1728–1792
Figures in a Lakeside Romantic Landscape
1787
22
Print made by Alfred Adlard, 1803–1869
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
1820
23
Print made by Henry Adlard, active 19th century
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
24
Print made by John Samuel Agar, ca. 1773–1858
Anne (née Bermingham) Caulfield, Countess of Charlemont
1812
25
John Samuel Agar, ca. 1773–1858
Lady Katherine Sophia (née Manners) Heathcote
1812
26
John Samuel Agar, ca. 1773–1858
Lady Dalrymple Hamilton
1812
27
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
28
Print made by John Samuel Agar, ca. 1773–1858
Illustration for 'Mickle'
1808
29
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
30
Agostino Aglio the elder, 1777–1857
An Imaginary Design for a Monument to Lord Nelson
1805
31
Attributed to Agostino Aglio the elder, 1777–1857
Scene on Brighton Beach
1847
32
Attributed to Agostino Aglio the elder, 1777–1857
Landscape with a Distant Ridge
undated
33
Attributed to Agostino Aglio the elder, 1777–1857
Two Fishing Boats at Brighton Beach
1819
34
Augustine Aglio the younger, 1816–1885
Flounder's Monument From the Race Course, Ludlow
undated
35
Rev. Alexander Colvin Ainslie, 1830–1903
Summer Shade (Gate)
1867 or 1868
36
Print made by Craigie Aitchison, 1926–2009
Sheep at Tulliallan
1998
37
Print made by James Akerman, active 1873–1908
View of the Cloisters, Salisbury Cathedral
1897
38
Print made by W. E. Albutt, active 1836–1863
High Street, Oxford (small replica)
1828
39
Cecil Charles Windsor Aldin, 1870–1935
Micky in an Armchair
undated
40
Cecil Charles Windsor Aldin, 1870–1935
Cracker and Friend lying in an Armchair (Turps finds a new use for bull terriers)
undated
41
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
42
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
43
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
44
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
45
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
46
Edwin Alexander, 1870–1926
Two Studies of a Falcon's Hood
undated
47
Edwin Alexander, 1870–1926
Woody Nightshade
1904
48
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
49
William Alexander, 1767–1816
The Traveling Barge
undated
50
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
51
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
52
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
53
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
54
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
55
William Alexander, 1767–1816
A Mandarin in his Court Dress
undated
56
William Alexander, 1767–1816
Street in Maidstone
undated
57
William Alexander, 1767–1816
A Chinese Warrior
undated
58
William Alexander, 1767–1816
Frontispiece for Costume of China
ca. 1804
59
William Alexander, 1767–1816
Chinese Carrier with His Sail-Set Barrow
undated
60
William Alexander, 1767–1816
Portrait of a Soldier
undated
61
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
62
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
63
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794
64
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
65
William Alexander, 1767–1816
View Near the City of Tientsin
1800
66
William Alexander, 1767–1816
Group of English Children: Distant View of St. Paul's
undated
67
William Alexander, 1767–1816
Three Chinese Women Street Vendors
undated
68
William Alexander, 1767–1816
Portrait of a Chinese Man
undated
69
William Alexander, 1767–1816
A View of the Coast of China
undated
70
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
71
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
72
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
73
William Alexander, 1767–1816
A Chinese Beggar
undated
74
William Alexander, 1767–1816
Lady Macartney's Villa at Chiswick
after 1808
75
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
76
George Alken, 1794–active 1837
Exercising a Racehorse
undated
77
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
78
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
79
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
80
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
81
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
82
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
83
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
84
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
85
Henry Thomas Alken, 1785–1851
Horse and Rider seen from the Rear
undated
86
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
87
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
88
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
89
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
90
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
91
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
92
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
93
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
94
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
95
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
96
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
97
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
98
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
99
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..