Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
6
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
7
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
8
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
9
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
10
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
11
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
12
Isaac Weld, 1774–1856
Capri
ca. 1818
13
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
14
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
15
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
16
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
17
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
18
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
19
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
20
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
21
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
22
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
23
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
24
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
25
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
26
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
27
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
28
unknown artist
Landscape with Waterfall
undated
29
unknown artist
Peter the Wild Boy
undated
30
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
31
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
32
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
33
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
34
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
35
Charles Parsons Knight, 1829–1897
A Castle at the Waterside by Moonlight
undated
36
John McKinlay, 19th century
Mayfield
1812
37
unknown artist
Little Sypeland
undated
38
unknown artist
Balmae
undated
39
unknown artist
Torrs
undated
40
unknown artist
Back, Gata and North, Milton
undated
41
unknown artist
Townhead and Drummore
undated
42
unknown artist
Culraven and Broadfield
undated
43
unknown artist
Senwick
undated
44
unknown artist
Nuntons
undated
45
unknown artist
Little Kirkland
undated
46
unknown artist
Netherthird
undated
47
John Howatson, active 1813
Farm of Highbanks
1813
48
unknown artist
Mayfield
undated
49
unknown artist
North Nunton; South Nunton
undated
50
unknown artist
Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
undated
51
unknown artist
Balgreddan and Whinny Liggate
undated
52
unknown artist
Little Sypeland
undated
53
unknown artist
Palmangan
undated
54
unknown artist
The Farm
undated
55
unknown artist
Whinny Liggate; Balgredan
undated
56
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
57
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
58
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
59
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
60
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
61
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
62
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
63
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
64
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
65
William H. Overend, 1851–1898
The Wreck of the Apollo Frigate, 1803
undated
66
Henry Monro, 1791–1814
A Wooded Track
1813
67
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
68
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
69
unknown artist
Two Trees
undated
70
unknown artist
Indian Statue
undated
71
Joseph Wolf, 1820–1899
The Mansion House, London: Elevation
undated
72
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
73
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
74
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
75
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
76
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
77
William Douglas, 1822–1891
View of Bookbinder and stationer's at H&J Pillans Printers
undated
78
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
79
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
80
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
81
Robert Bremmel Schnebbelie, active 1803–1849
St. James Market, Saturday
1818
82
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
83
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
84
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
85
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
86
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
87
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
88
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
89
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
90
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
91
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
92
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
93
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
94
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
95
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
96
John Thomas Smith, 1766–1833
The Reconcilation
1817
97
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
98
John Thomas Smith, 1766–1833
The Smock Exposed
1817
99
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
100
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital