On-site Access: Accessible by appointment in the Study Room / Associated Places: City of Westminster and London

1. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

Creator:: William Parrott, 1813–ca. 1869
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 × 8 3/8 inches (11 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Holbein's Gateway and Jones's Banqueting House, Whitehall...

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Portico of St. Martin-in-the-Fields

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1862
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Part of Regent's Park

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Houses of Parliament

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Green Park

Creator:: George Sidney Shepherd, 1784–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Private View of the Royal Academy

Creator:: William Payne, active 1850s
Date:: 1858
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

Creator:: John Linnell, 1792–1882
Date:: after 1812
Materials & Techniques:: Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Cave of the Golden Calf: City Street with Omnibus

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

20. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

21. Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

22. Cave of the Golden Calf: Study of a Tree House with Primitive People

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

23. Cave of the Golden Calf: Study of Geometric Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

24. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

25. Cave of the Golden Calf: Study of Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite, colored pencil and crayon on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

26. View of Cumberland Terrace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

Creator:: John Linnell, 1792–1882
Date:: 1830
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Family in Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Large Church (Westminster Abbey) at Sunset

Creator:: Attributed to Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768
Date:: between 1746 and 1747
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

36. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite, colored pencil and crayon on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

37. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

38. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Cave of the Golden Calf: Study of Musicians and Animals

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 x 8 1/4 inches (20.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

40. Cave of the Golden Calf: Figure Studies

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

41. Cave of the Golden Calf: Study of Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 1/8 inches (35.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

42. Cave of the Golden Calf: Interior of a Theatre

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Black chalk and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

43. Cave of the Golden Calf: Kneeling Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

44. Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

45. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Cave of the Golden Calf: Sketches of a Stage and Bar

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

47. Cave of the Golden Calf: Tree House, Design for Panels with Animals

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

48. Cave of the Golden Calf: Worshippers and Calf

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

49. Cave of the Golden Calf: Study for Stage

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Crayon on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

50. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

51. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Capitals, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

Creator:: Print made by unknown artist
Date:: 1835
Materials & Techniques:: Line engraving, proof before lettering on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 6 5/16 × 9 1/8 inches (16 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Elevation of the Basement Story, House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Decoration between Windows of Parlor, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Henry VII Chapel

Creator:: William Capon, 1757–1827
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Line of Buildings on East Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Buildings on North Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Detail, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Parts in Stone Underhouse of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Higher House of Parliament in England

Creator:: Print made by unknown artist
Date:: ca. 1695
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Doorway in one of the Cellars Under the Old House of Lords

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 3/8 × 7 7/16 inches (23.8 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The King on his Throne in the House of Lords

Creator:: Print made by James Fittler, 1758–1835
Date:: 1804
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Kind Proroguing Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Plate XXXIX: House of Commons as Fitted Up in 1835

Creator:: Print made by unknown artist
Date:: ca. 1836
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. House of Commons, the Speaker Reprimanding a Person at the Bar

Creator:: Print made by Henry Melville, active 1826–1841
Date:: after 1850
Materials & Techniques:: Line engraving on moderately thick, smooth cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Peers' Entrance

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Plan of the Ground Floor, House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1835
Materials & Techniques:: Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:: Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: ca. 1794
Materials & Techniques:: Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:: Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. New Rooms at Westminster for the Bishops

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/8 inches (32.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Survey view of a lobby, Palace of Westminster

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Palace at Westminster

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Associated Places City of Westminster

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Search Results

1. The Bayhorse, Tattersall’s

2. York Water Gate

3. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

4. Elevation of the Ordnance Office

5. Holbein's Gateway and Jones's Banqueting House, Whitehall...

6. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

7. The Portico of St. Martin-in-the-Fields

8. Westminster Abbey from Dean's Yard

9. Whitehall Palace, London: Elevation of Proposed Design

10. Whitehall Showing Holbein's Gate and Banqueting Hall

11. Part of Regent's Park

12. Whitehall Palace, London: Section of Proposed Design

13. The Houses of Parliament

14. Green Park

15. Private View of the Royal Academy

16. Ambulatory, Westminster Abbey

17. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

18. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

19. Cave of the Golden Calf: City Street with Omnibus

20. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

21. Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf

22. Cave of the Golden Calf: Study of a Tree House with Primitive People

23. Cave of the Golden Calf: Study of Geometric Figures

24. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

25. Cave of the Golden Calf: Study of Dancers

26. View of Cumberland Terrace

27. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

28. An Encampment in St. James Park

29. A Family in Hyde Park

30. Scenery, Haymarket Theatre

31. A Large Church (Westminster Abbey) at Sunset

32. Perspective View: the New Houses of Parliament

33. The City of Westminster from Near the York Water Gate

34. The Gunpowder Magazine, Hyde Park

35. Cave of the Golden Calf: Study for Decorative Panel, Worshippers

36. Cave of the Golden Calf: Studies of a Woman in a Coat and Hat

37. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

38. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

39. Cave of the Golden Calf: Study of Musicians and Animals

40. Cave of the Golden Calf: Figure Studies

41. Cave of the Golden Calf: Study of Dancers

42. Cave of the Golden Calf: Interior of a Theatre

43. Cave of the Golden Calf: Kneeling Figures

44. Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf

45. St. Martin's Church

46. Cave of the Golden Calf: Sketches of a Stage and Bar

47. Cave of the Golden Calf: Tree House, Design for Panels with Animals

48. Cave of the Golden Calf: Worshippers and Calf

49. Cave of the Golden Calf: Study for Stage

50. L'Adieu

51. Soldiers in St. James Park

52. Westminster Hall

53. Ceiling of the Star Chamber

54. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

55. Entrance Doorway in the Tower, St Stephen's Chapel

56. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

57. Capitals, St Stephen's Chapel

58. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

59. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

60. Springing of an Arch, St Stephen's Chapel

61. Plate X: St Stephen's Chapel

62. Impost moldings, St Stephen's Chapel

63. Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

64. View through the South East Window of the Crypt beneath St Stephen's, Westminster

65. Elevation of the Basement Story, House of Lords

66. Decoration between Windows of Parlor, No. 3 Old Palace Yard

67. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

68. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

69. Henry VII Chapel

70. Seats in Henry VII Chapel, Westminster Abbey

71. South View of the Abbey Church, Westminster, Taken from Dean's Yard

72. Line of Buildings on East Side, Dean's Yard

73. Buildings on North Side, Dean's Yard