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Collection Prints and Drawings
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1
- The Meet
- 1898-1899
2
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
3
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
4
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
5
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
6
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
7
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
8
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
9
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
10
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
12
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
13
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
14
- America. A Prophecy, Plate 2, Title Page
- 1793
15
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
16
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
17
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
18
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
19
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
20
- Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
- ca. 1797
21
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
22
- Air; Plate 6
- 1793
23
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
24
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
25
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
26
- America. A Prophecy, Plate 1, Frontispiece
- 1793
27
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
28
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
29
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
30
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
31
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
32
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
34
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
35
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
36
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
37
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
38
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
39
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
40
- Satan Approaching the Court of Chaos
- 1784 to 1785
41
- Abraham and Isaac
- 1799 to 1800
42
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
43
- Miranda, Prospero, and Caliban: The Tempest
- undated
44
- Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
- 1793
45
- Buckingham House, St. James' Park
- 1810
46
- Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
- undated
47
- Games at Vauxhall: Playing at Cricket
- ca. 1743
48
- Juvenis auscultans seni de divinis admonenti
- 1764
49
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
50
- Newmarket - Pulling Up
- 1933
51
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
52
- Lancaster Sands
- undated
53
- Bath: The North Parade
- 1773
54
- Hamlet
- 1809
55
- The Dreams of the Youthful Shakespeare
- 1827
56
- Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)
- before 1835
57
- The Birth of Christ (Luke 2:15)
- before 1836
58
- A Prospect of Vapourland
- 1759
59
- Falstaff Instructing Bardolph
- 1825
60
- Bridgenorth, Shropshire
- ca. 1801
61
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
62
- Sun Under a Cloud
- 1745
63
- Shipwreck
- 1745
64
- Intemperance
- undated
65
- Italian Fair
- 1923
66
- L'Eglise de St. Gervais et St. Protais
- 1824
67
- Ancienne Porte a Stirling
- 1826
68
- Croix de Moulin les Planches
- 1827
69
- Edinbourgh vu de la Chapelle S. Antoine
- ca. 1826
70
- Façade de l'Eglise de Brou
- 1825
71
- Rue du Gros Horloge
- 1824
72
- Tour aux Archives a Vernon
- 1824
73
- Vue Generale de l'Eglise de l'Abbaye de Tournus
- 1825
74
- Château Vilain sur la Riviere Dain, Franche Comte
- undated
75
- Chepstow Castle
- after 1850
76
- Lac de Killin
- 1826
77
- Le Silence Favorable
- 1826
78
- A Calm
- 1754
79
- Charon's Boat
- between 1838 and 1850
80
- A View of Erith, Looking Up the Thames
- 1750
81
- Funeral of the Late Duke of Wellington
- after 1852
82
- View near Bingen
- after 1850
83
- Ruins on the Coast
- undated
84
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
85
- Coastal Scene
- 1784
86
- Little Missenden Church from the Southeast
- 1784
87
- Harvesting - The Noontide Rest
- 1811
88
- An Encampment in St. James Park
- ca. 1780
89
- Landscape with two figures beside an old building
- undated
90
- The Day of Judgment
- 1808, published 1813
91
- The Death of the Good Old Man
- 1808, published 1813
92
- View of Leiston Abbey
- 1781
93
- Shipping in Southampton Water, off Calshott Castle
- undated
94
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
95
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
96
- Fishing Cove near Columbo
- undated
97
- Lear in the Storm
- undated
98
- Macbeth and Banquo on the Heath
- ca. 1830
99
- Firing a Salute
- 1770
100
- The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
- between 1720 and 1750