Associated Places: London / Image Available: Available / Work Type: intaglio print

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Old London Bridge and Vicinity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Monument of Lady Legh from Fulham Church

Creator:: Simon Watts, active 1812
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Marlborough House

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Monument

Creator:: Sutton Nicholls, active 1725
Date:: 1731-1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. St. Mary le Strand

Creator:: Sutton Nicholls, active 1725
Date:: 1731-1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. London - Blackfriars Bridge, St. Pauls

Creator:: Print made by Charles Pye, 1777–1864
Date:: undated
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

38. Piccadilly Circus

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1915
Materials & Techniques:: Drypoint etching
Dimensions:: Sheet: 16 x 21 15/16 inches (40.6 x 55.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

40. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

41. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

42. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

43. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Somerset House

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

45. The Monument in Westminster Abbey of King Henry V

Creator:: George Vertue, 1684–1756
Date:: between 1699-1756
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Drawing Study of a Man

Creator:: Drawing by Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1764
Materials & Techniques:: Black ink and graphite on verso of etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: ca. 1764
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 14 5/8 x 21 1/8in. (37.1 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Out of Whistler's Window

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

53. Westminster Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Chelsea

Creator:: James McNeill Whistler, 1834–1903
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 3/4 inches (24.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

55. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interior of the Star Chamber, Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1848
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Westminster Hall

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Creator:: Print made by William Francis Starling, active first half 19th century
Date:: 1843
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

Creator:: Print made by George Gladwin, active 1820s–1830s
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Part of the Front of the Vestibule

Creator:: Print made by unknown artist
Date:: 1843
Materials & Techniques:: Line engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The King's Entrance to the House of Lords, From Poets Corner

Creator:: Print made by William Deeble, active 1814–1849
Date:: 1829
Materials & Techniques:: Line engraving on smooth, medium white wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: ca. 1835
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Henry VII's Shrine

Creator:: Print made by Herbert Railton, 1857–1910
Date:: ca. 1890
Materials & Techniques:: Etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

82. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A view of the inside of Westminster Hall

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Eight Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. South West view of St. Stephen's Chapel Westminster, Restored 1800

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. St. Stephen's Chapel, Speaker's House, &c. from the River

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Creator:: Print made by John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Creator:: Print made by John Le Keux, 1783–1846
Date:: ca. 1836
Materials & Techniques:: Engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The House of Commons

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Painted Chamber, Westminster

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Exterior of Painted Chamber, North View

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The House of Lords, as Restored after the Fire

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. House of Lords, Her Majesty Opening the Session of Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: ca. 1837
Materials & Techniques:: Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:: Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Associated Places London

Image Available Available

Work Type intaglio print

Search Results

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

2. The First Stage of Cruelty: Children Torturing Animals

3. London from Greenwich

4. Traitor's Gate - Tower of London

5. Old London Bridge and Vicinity

6. Destruction of Both Houses of Parliament

7. Destruction of Both Houses of Parliament

8. The Custom House

9. The Monument of Lady Legh from Fulham Church

10. Richmond Hill

11. Richmond Hill

12. The Tower of London

13. The Tower of London

14. The Custom House

15. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

16. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

17. Westminster Bridge

18. Traitor's Gate - Tower of London

19. Lovelace in Prison

20. Funeral of the Late Duke of Wellington

21. The Great Exhibition: Exterior View from the Southwest

22. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

23. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

24. Ruins of St. Paul Covent Garden

25. Marlborough House

26. The Monument

27. The South Sea House

28. St. Mary le Strand

29. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

30. The Admiralty Office

31. London - Blackfriars Bridge, St. Pauls

32. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

33. The Ceiling in the Banqueting House at Whitehall

34. St. Martin's Church

35. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

36. Night Watchman

37. Saint Stephen's, Walbrook

38. Piccadilly Circus

39. Pass-Room Bridewell

40. Somerset House, London

41. Horse Guards

42. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

43. The Building

44. Somerset House

45. The Monument in Westminster Abbey of King Henry V

46. Drawing Study of a Man

47. A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew

48. Traitor's Gate - Tower of London

49. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

50. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

51. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

52. Out of Whistler's Window

53. Westminster Hall

54. Chelsea

55. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

56. Interior of the Star Chamber, Westminster

57. Westminster Hall

58. Elevations and Plans of the Court of Kings Bench

59. Ceiling of the Star Chamber

60. The Lower Lobby, House of Commons

61. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

62. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

63. Part of the Front of the Vestibule

64. Plate IX: St Stephen's Chapel

65. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

66. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

67. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

68. Vol. 6, Plate XXVII: The Painted Chamber

69. Vol. 6, Plate XXXII: The Story of Hezekiah.

70. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

71. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

72. Exterior & Interior Views of the Painted Chamber & Old House of Lords

73. The King's Entrance to the House of Lords, From Poets Corner