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Materials & Techniques aquatint

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Joseph Mallord William Turner Junction of Severn and Wye

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Print made by Francesco Bartolozzi, 1728–1815

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

1792

Thomas Girtin The Watermill Above the Bridge at Charenton

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Thomas Girtin View of the City with the Louvre & Taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Thomas Girtin A General View of Paris, taken from Chaillot 1803.

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Thomas Girtin Views of the Pantheon, taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Niccoló Schiavonetti New Mackrel, New Mackrel

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Luigi Schiavonetti Sweet China Oranges, Sweet China

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Anthony Cardon A New Love Song, Only ha'Penny a Piece

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Robert Havell Crofton Hall, Yorkshire

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

1802

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Bradshaw & Blacklock Tintern Abbey

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

Paul Sandby The Romans Polite to Strangers

Paul Sandby, 1731–1809

The Romans Polite to Strangers

ca. 1781

Caroline Watson Contemplation

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Caroline Watson Contemplation

Print made by Caroline Watson, 1760–1814

Contemplation

1790

William Birch Mrs. Robinson

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Greenwich Hospital

Print made by Bradshaw & Blacklock, active ca.1850

Greenwich Hospital

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Her Majesty Queen Victoria & Family

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Paul Sandby The Victor Conducted in Triumph

Paul Sandby, 1731–1809

The Victor Conducted in Triumph

ca. 1781

Bradshaw & Blacklock Double Hairpin Set

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

George Baxter Queen Victoria

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

Paul Sandby Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Paul Sandby, 1731–1809

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Rowlandson Undertakers Regaling

Thomas Rowlandson, 1756–1827

Undertakers Regaling

1801

Robert Pollard The Distress'd Situation of the Dutton East Indiaman

Print made by Robert Pollard, 1755–1838

The Distress'd Situation of the Dutton East Indiaman

1796

John Bluck Ackerman's Library for Works of Art

John Bluck, active 1791–1831

Ackerman's Library for Works of Art

1813

unknown artist North Front of the Bank

unknown artist

North Front of the Bank

1797

Thomas Malton Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

Thomas Malton, 1726–1801

Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

1790

unknown artist South Front of the Bank

unknown artist

South Front of the Bank

1798

Robert Pollard View of Bloomsbury Square

Robert Pollard, 1755–1838

View of Bloomsbury Square

1787

Augustus Charles Pugin The Hall, Carlton House

Augustus Charles Pugin, 1762–1832

The Hall, Carlton House

1808

Augustus Charles Pugin The Opening of the Waterloo Bridge on the 18th June 1817

Augustus Charles Pugin, 1762–1832

The Opening of the Waterloo Bridge on the 18th June 1817

1818

unknown artist Glen Crowe, Western Highlands, Scotland

after unknown artist

Glen Crowe, Western Highlands, Scotland

1811

Richard Gilson Reeve The Great Western leaving Bristol for New York

Richard Gilson Reeve, 1803–1889

The Great Western leaving Bristol for New York

1840

Frederick Christian Lewis the Elder Tivoli

Frederick Christian Lewis the Elder, 1779–1856

Tivoli

1800

Richard Gilson Reeve Malmsbury Abbey

Print made by Richard Gilson Reeve, 1803–1889

Malmsbury Abbey

1809

Richard Gilson Reeve The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

Richard Gilson Reeve, 1803–1889

The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

1839

J. Hill A Seventy-four in a Fresh Gale

J. Hill, active 19th century

A Seventy-four in a Fresh Gale

1811

J. Hill A First Rate after a Storm

J. Hill, active 19th century

A First Rate after a Storm

1811

John Hassell Clapham Manor-House, Surry

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

William Ellis The House of William Russell, Esq., Showell Green

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

William Ellis The House of George Humphrys, Esq., Spark Brook

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis Bordesley Hall, the Seat of John Taylor, Esq.

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

William Ellis The New Meeting

William Ellis, 1747–1810

The New Meeting

1792

Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge taken from the Quay D'Orsai

1802

Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

1802

Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre and the College of Four Nations

1803

Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Print made by Thomas Girtin, 1775–1802

View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame

1803

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Print made by James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

William Ellis Baskerville House, the Residence of John Ryland, Esq.

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis Beddington

William Ellis, 1747–1810

Beddington

1792

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Print made by Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

1802

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

1803

Robert Havell View of the Old Corn Market and Tuns Inn, Guildford

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Thomas Girtin View of St. Cloud and Mount Cavalary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

unknown artist The Famous Lincolnshire Ox

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

Matthew Dubourg Grouse Shooting

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Matthew Dubourg Partridge Shooting

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797