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Materials & Techniques aquatint
Remove constraint Materials & Techniques: aquatintCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryClassification Prints
Remove constraint Classification: PrintsSearch Results
1
- Junction of Severn and Wye
- 1811
2
- The Watermill Above the Bridge at Charenton
- 1803
3
- Crofton Hall, Yorkshire
- 1813
4
- View of the Thuilleries and Bridge, taken from the Quai d'Orsai
- 1802
5
- View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
- 1802
6
- View of the Pont St. Michael, taken from the Pont Neuf
- 1803
7
- View of the City with the Louvre & Taken from Pont Marie
- 1802
8
- View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
- 1803
9
- View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
- 1803
10
- A General View of Paris, taken from Chaillot 1803
- 1803
11
- View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
- 1802
12
- Views of the Pantheon, taken from the Arsenal
- 1803
13
- View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
- 1803
14
- On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
- 1803
15
- The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
- 1803
16
- View of the Gate of St. Denis Taken from the Suburbs
- 1803
17
- View of the Village of Chaillot & C. taken from Pont de la Concorde
- 1803
18
- View of St. Cloud and Mt. Calvary taken from Pont de Seve
- 1802
19
- View of the Palace and Village of Choisi, on the Banks of the Siene
- 1803
20
- The Water Works at Marli,and St. Germain en Laye Seen in the Distance
- 1803
21
- The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
- 1815
22
- Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
- 1825
23
- Fools; or Jesters
- 1813
24
- The Great Exhibition: Exterior View from the Southwest
- 1851
25
- The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
- 1841
26
- George Pritchard, Her Britannic Majesty's Consul
- 1845
27
- Albanian Scenes
- after 1850
28
- Bacharach and View near Bingen
- after 1850
29
- Bacharach
- after 1850
30
- The Crimean War
- after 1850
31
- Eight colour prints
- after 1850
32
- The Farmer's Boy & The Rustic Angler
- after 1850
33
- Four Subjects
- after 1850
34
- Four Subjects
- after 1850
35
- The Death of Ananias
- after 1855
36
- Ben Nevis
- after 1850
37
- Highland Dancers
- after 1850
38
- Constantinople
- after 1850
39
- Double Hairpin Set
- after 1850
40
- Hampton Court
- after 1850
41
- Her Majesty Queen Victoria & Family
- ca. 1851
42
- Queen Victoria
- ca. 1860
43
- Prince Albert
- after 1855
44
- Christ's Charge to Peter
- after 1855
45
- Returning from the Spring. Virginia
- after 1850
46
- Prince Albert
- after 1855
47
- Set of Needle-Box Prints
- after 1850
48
- The Belle of the Village
- 1854
49
- Gems of the Great Exhibition No. 4: The Foreign Department
- 1852 or 1854
50
- Pomare, Queen of Tahiti
- 1845
51
- View near Bingen
- after 1850
52
- Cathedrals in England
- after 1850
53
- Eight Rural Subjects
- after 1850
54
- Four Subjects
- after 1850
55
- Four Subjects
- after 1850
56
- Greenwich Hospital
- after 1850
57
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
58
- Italian Peasants - Tryoliean Waltz
- after 1850
59
- Haddon Hall
- after 1850
60
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
61
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
62
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
63
- Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
- after 1850
64
- Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
- after 1850
65
- Set of Needle-Box Prints
- after 1850
66
- Ten Needle-Box Prints
- undated
67
- Tintern Abbey
- after 1850
68
- Mamma at Romps
- 1810
69
- Lincoln Cathedral
- 1800
70
- Returning from a Review...Paris
- 1802
71
- Inn Yard at Calais
- 1802
72
- Breakfast at Breteuil
- 1801
73
- Changing Horses Near Clermont
- 1802
74
- Teignmouth
- 1836
75
- Promenade on the Ramparts of Nantes
- undated
76
- Tours, looking backwards
- undated
77
- Rocket Practice in the Marshes
- 1845
78
- Clifton Spring and Woods near Maidenhead
- 1818
79
- Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders
- 1857
80
- Moonlight at Sea, Off the Isle of Wight
- 1896
81
- Christ Church Cathedral, Oxford
- 1807
82
- Clare Hall, Cambridge
- 1807
83
- Peterborough Cathedral
- 1809
84
- Malmsbury Abbey
- 1809
85
- Cassiobury, Hertfordshire, The Seat of the Earl of Essex
- 1816
86
- The Great Cloister, Cassiobury
- 1816
87
- The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
- 1837
88
- Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
- 1831
89
- Cambridge University: Queens College
- 1800
90
- The East Front of the Library of Trinity College in the University of Cambridge
- 1800
91
- Representation of the Festival for the Return of Peace
- 1815
92
- The Waterworks at Marli; and St. German en Laye seen in the distance
- 1803
93
- The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
- 1806
94
- Teignmouth
- 1836
95
- Landscape
96
- View of the Pantheon taken from the Arsenal
- 1803
97
- Royal Artillery Repository Exercises, 1844
- 1844
98
- Cowdray Ruins
- 1824
99
- Iris
- 1808
100
- Harwich
- 1841