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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkMaterials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centuryWork Type drawing
Remove constraint Work Type: drawingSearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- An Ancient Barn at Shoreham
- undated
3
- Opening the Fold: Early Morning
- ca. 1880
4
- A Cottage among Trees, Shoreham
- undated
5
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
6
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
7
- The Capo Sant' Angelo, Amalfi
- ca. 1885
8
- Balmae
- undated
9
- Little Sypeland
- undated
10
- Townhead and Drummore
- undated
11
- Senwick
- undated
12
- Mayfield
- undated
13
- Little Kirkland
- undated
14
- Balgreddan and Whinny Liggate
- undated
15
- Little Sypeland
- undated
16
- The Farm
- undated
17
- Palmangan
- undated
18
- Whinny Liggate; Balgredan
- undated
19
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
20
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
21
- Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
- 1802
22
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
23
- Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
- 1802
24
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
25
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
26
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
27
- The Lady at the Dressing Table
- ca. 1897
28
- Design for Covent Garden Drop Curtain
- 1823
29
- Machinery for the Manufacture of Paper
- ca. 1810
30
- A Castle at the Waterside by Moonlight
- undated
31
- Mayfield
- 1812
32
- Design for London Bridge Approach
- between 1827 and 1835
33
- Design for London Bridge Approach
- between 1827 and 1835
34
- Design for a Country House
- undated
35
- Beauvais
- ca. 1831
36
- Sarcophagus in a Church
- May 10, 1806
37
- St. James Market, Saturday
- 1818
38
- Part of the Monastery of St. Saviours, Southwark
- 1809
39
- The Nile, Looking towards Nabia
- ca. 1869
40
- View of London from Richmond House, Whitehall
- undated
41
- Back, Gata and North, Milton
- undated
42
- Torrs
- undated
43
- Netherthird
- undated
44
- Farm of Highbanks
- 1813
45
- Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
- undated
46
- North Nunton; South Nunton
- undated
47
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
48
- Study for The Woodman's Daughter
- 1849
49
- A Wooded Track
- 1813
50
- High Street at Bushey, Hertfordshire
- 1812
51
- Henry Fuseli
- undated
52
- Two Trees
- undated
53
- Peter the Wild Boy
- undated
54
- The Mansion House, London: Elevation
- undated
55
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
56
- Siege at Badajoz
- ca. 1813
57
- Quay at Dartmouth
- 1823
58
- Be it ever so Humble, There's no place like Home
- undated
59
- The Mother's Portrait
- undated
60
- Culraven and Broadfield
- undated
61
- Nuntons
- undated
62
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
63
- The Wreck of the Apollo Frigate, 1803
- undated
64
- Landscape with Waterfall
- undated
65
- Indian Statue
- undated
66
- Part of Goodrich Castle
- 1842
67
- S. Simon Petrus
- undated
68
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
69
- The Governor's Residence, St. Anns
- 1851
70
- Custom House and St. Vincent's Wharf
- 1851
71
- Village of Arima and Mount Tamana
- 1851
72
- Cascade at St. Anns
- 1851
73
- King's Wharf, and South Quay-Port of Spain
- 1851
74
- Riverside, St. Joseph
- 1857
75
- Cedros Bay
- 1857
76
- St. James' Barracks from the Playground of the Model School
- 1857
77
- The Cottage, Residence of the Governor
- 1857
78
- The Road to the Pitch Lake
- 1857
79
- The Pitch Lake
- 1857
80
- View from Laventille Hill
- 1857
81
- Corbeaux Town, Port of Spain
- 1857
82
- Los Gallos, Icacos Bay
- 1857
83
- Residence at Orange Grove Estate, Tacarigua
- 1857
84
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
85
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
86
- The Smock Exposed
- 1817
87
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
88
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
89
- Hogarth Drawing Sarah Malcolm
- 1817
90
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
91
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
92
- Hogarth Sitting to Roubiliac for His Bust
- 1817
93
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
94
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
95
- The Eleventh Hour
- 1817
96
- Pale Melancholy
- ca. 1804
97
- The Spoiled Child, Scene I
- ca. 1802
98
- The Spoiled Child, Scene IV
- ca. 1802
99
- The Spoiled Child, Scene III
- ca. 1802
100
- Snowdon, an Approaching Storm
- 1853