Materials & Techniques: chine collé / Associated Places: Europe / Image Available: Available / Work Type: intaglio print

Print made by David Lucas, 1802–1881

Noon

1830

Print made by David Lucas, 1802–1881

Summer Evening

1831

Print made by David Lucas, 1802–1881

Summer Morning

1831

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Robert Wallis, 1794–1878

Havre

1832

Print made by Robert Brandard, 1805–1862

Blois

1833

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Sir Francis Seymour Haden, 1818–1910

On the Test

1878

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1831

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Charles Heath, 1785–1848

The Tower from the River

1825

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Charles Heath, 1785–1848

Green Park

1825

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by David Lucas, 1802–1881

Stoke by Neyland, Suffolk

1829

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by James T. Willmore, 1800–1863

Saumur

1833

Print made by David Lucas, 1802–1881

A Mill

1830

Print made by David Lucas, 1802–1881

A Dell, Helmingham Park, Suffolk

1830

Charles Heath, 1785–1848

Tower Hill

1825

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by Robert Wallis, 1794–1878

Havre

1833

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910

The Lark at Heaven's Gate Sings

1859

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 2 (large plate)

1860

Print made by Alexander George Fraser, 1786–1865

A Highland Interior

undated

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

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