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Materials & Techniques etching (printing process)
Remove constraint Materials & Techniques: etching (printing process)Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectImage Available Available
Remove constraint Image Available: AvailableImage Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- The Morning of Life
- 1860-1861
2
- The Vine
- 1852
3
- The Vine
- 1852
4
- The Vine
- 1852
5
- The Fifth Plague of Egypt
- 1808
6
- Procris and Cephalus
- 1812
7
- Procris and Cephalus
- 1812
8
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
9
- Jason
- 1807
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- Christ and the Woman of Samaria
- 1819
12
- Tenth Plague of Egypt
- 1816
13
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
14
- Procris and Cephalus
- 1812
15
- Aesacus and Hesperie
- 1819
16
- The Fifth Plague of Egypt
- 1808
17
- Jason
- 1807
18
- Jason
- 1807
19
- Christ and the Woman of Samaria
- 1819
20
- Tenth Plague of Egypt
- 1816
21
- Aesacus and Hesperie
- 1819
22
- Glaucus and Scylla
- between 1813 and 1823
23
- Glaucus and Scylla
- between 1813 and 1823
24
- Glaucus and Scylla
- 1813 to 1823
25
- Apuleia in Search of Apuleius
- between 1813 and 1823
26
- Apuleia in Search of Apuleius
- between 1813 and 1823
27
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
28
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
30
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
32
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
33
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
34
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
35
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
36
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
37
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
38
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
39
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
40
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
41
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
42
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
43
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
44
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
45
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
46
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
47
- Part of the Ghaut at Hurdwar
- 1836
48
- Milan
- 1834
49
- Shakespeare's Monument at the Church at Stratford upon Avon
- 1834
50
- Christ Church College, Oxford
- 1834
51
- The Pilgrim
- 1830
52
- The Fountain
- 1830
53
- A Bacchanalian Vase
- 1830
54
- Dryden's Monument
- 1834
55
- New Abbey, Near Dumfries
- 1834
56
- Mount Moriah
- 1835-1836
57
- The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance
- 1834
58
- Florence, from the Chiesa al Monte
- 1820
59
- Mercury and Argus
- 1841
60
- The Last Supper
- ca. 1854
61
- Mercury and Argus
- 1841
62
- Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
- 1802
63
- Turin from the Portico of the Superga Church
- 1820
64
- Stone Henge
- 1829
65
- Leicester Abbey
- 1834
66
- Durham Cathedral
- 1836
67
- Florence, from Chiesa al Monte
- 1820
68
- Stone Henge, Wiltshire
- 1829
69
- Stone Henge
- 1829
70
- Parnassus and Castalian Spring
- 1833
71
- Florence, from the Chiesa al Monte
- 1820
72
- The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance
- 1834
73
- Ramah and Rachel's Tomb
- 1836
74
- The Goddess of Discord in the Garden of Hesperides
- between 1859 and 1861
75
- The Deluge
- 1828
76
- Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
- after 1819
77
- Dido and Aeneas; The Morning of the Chase
- 1842
78
- Mercury and Argus
- 1841
79
- Florence, from the Chiesa al Monte
- 1820
80
- Turin from the Portico of the Superga Church
- 1820
81
- Florence, from the Chiesa al Monte
- 1820
82
- Mercury and Argus
- 1841
83
- Mercury and Herse
- 1842
84
- Mercury and Herse
- 1842
85
- Christ's Charge to Peter
- after 1855
86
- The Death of Ananias
- after 1855
87
- Death of the Strong Wicked Man
- 1808, published 1813
88
- The Day of Judgment
- 1808, published 1813
89
- Death's Door
- 1808, published 1813
90
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808, published 1813
91
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
92
- The Death of the Good Old Man
- 1808, published 1813
93
- Robert Blair, The Grave, Title Page
- 1808, published 1813
94
- The Descent of Man into the Vale of Death
- 1808, published 1813
95
- The Meeting of a Family in Heaven
- 1808, published 1813
96
- Christ Descending into the Grave
- 1808, published 1813
97
- The Reunion of the Soul & the Body
- 1808, published 1813
98
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
99
- Procris and Cephalus
- 1864
100
- Florence, from Chiesa al Monte
- 1820