The City of Westminster from Near the York Water Gate
between 1746 and 1747
6
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
7
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
8
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
9
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
10
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
11
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
12
William Payne, active 1850s
Private View of the Royal Academy
1858
13
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
14
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
15
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
16
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
17
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
18
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
19
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
20
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
21
Charles Heath, 1785–1848
Regent's Canal Basin, City Road
undated
22
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
23
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
24
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
25
John Maurer, active 1713–1761
A Perspective View of Whitehall
26
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
27
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
28
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
29
Charles Heath, 1785–1848
Green Park
1825
30
John Boydell, 1720–1804
St. Clement Danes
1751
31
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
32
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825
33
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
34
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
35
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
36
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
37
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
38
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
39
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
40
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
41
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
42
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
43
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
44
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
45
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
46
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
47
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
48
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
49
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard
50
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
51
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
52
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
53
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
54
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
55
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
56
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
57
Print made by John Thomas Smith, 1766–1833
Ceiling of the Star Chamber
1805
58
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
59
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
60
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
61
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
62
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
63
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
64
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
65
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
66
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
70
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
71
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
72
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
73
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
74
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
75
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
76
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
78
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
79
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
81
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
82
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
87
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
88
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
89
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
97
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
98
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
99
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall