Collection: Prints and Drawings / Genre: religious and mythological subject / Work Type: intaglio print / Subject Terms: men / Classification: Prints

1. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Pilgrims Paying Their Devotion in St. Peters at Rome

Creator:: Print made by David Allan, 1744–1796
Date:: between 1773 and 1775
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mordecai

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Samson Overcome by the Philistines

Creator:: Print made by Johan Joseph Zoffany, 1733–1810
Date:: ca. 1758
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Deucalion and Pyrrha after the Flood

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Lot and His Family

Creator:: Print made by John Alexander, 1686–before 1768
Date:: ca. 1718
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Aeneas Entering Hades

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1675 and 1680
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 7 5/16 inches (25.3 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Tobit and the Angel

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. The Death of Ananias

Creator:: Print made by John Simon, 1675–1755
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 15/16 × 13 7/8 inches (25.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. King Lyncus Turned Into a Lynx by Ceres

Creator:: Print made by Jacob Gole, 1660–1737
Date:: between 1675 and 1700
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Meeting of Jacob and Esau

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint (proof before all letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/2 × 23 3/4 inches (52.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Fortune

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. De Begraving

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. De Kruisiging

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 19 3/4 inches (66.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Abraham's Servant Presenteth Rebekah

Creator:: Print made by John Simon, 1675–1755
Date:: between 1700 and 1725
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/16 × 8 15/16 inches (31 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Christ and the Woman of Samaria

Creator:: Print made by John Simon, 1675–1755
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Le Ete - Der Sommer

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 19 1/4 inches (40.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Susanna and the Elders

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Le Tombaux de Marie Magdeleine

Creator:: Print made by Jacob Gole, 1660–1737
Date:: 1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/16 × 7 1/4 inches (23.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. A Bacchanian Scene

Creator:: Print made by Johann Ulrich Kraus, 1655–1719
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 5 1/2 inches (18.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Pomona - The Goddess of Orchards

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 13/16 × 10 1/4 inches (35.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Tobit and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 3/8 inches (12.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Quakers' Meeting

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Susanna and the Elders

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1670 and 1690
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 11 7/16 inches (36.9 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Susanna and the Two Elders

Creator:: Print made by Richard Brookshaw, 1736–1804
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 10 15/16 inches (37.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Susanne, surprise dans le bain par les deux vieillards

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 7 11/16 inches (26.5 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. The Temptation of Saint Anthony

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Mount: 18 13/16 × 11 11/16 inches (47.8 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Niobe

Creator:: Print made by William Sharp, 1749–1824
Date:: 1792
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Peter and John Going to the Sepulchre

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1784
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Untitled

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 3 7/16 inches (13.3 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

90. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

91. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

95. Vulcan's Forge

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

96. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. At Naples

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. At Naples

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 5 13/16 inches (22.4 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Juvenis auscultans seni de divinis admonenti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Genre religious and mythological subject

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1. The Deluge

2. Christ and the Woman of Samaria

3. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

4. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

5. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

6. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

7. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

8. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

9. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

10. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

11. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

12. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

13. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

14. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

15. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

16. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

17. For the Sexes: The Gates of Paradise, Plate 4, "Water"

18. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

19. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

20. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

21. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

22. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

23. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

24. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

25. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

26. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

27. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

28. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

29. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

30. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

31. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

32. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

33. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

34. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

35. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

36. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

37. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

38. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

39. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

40. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

41. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

42. For the Sexes: The Gates of Paradise, Plate 6, "Air"

43. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

44. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

45. The Man Sweeping the Interpreter's Parlour

46. Florence, from the Chiesa al Monte

47. Florence, from the Chiesa al Monte

48. Florence, from the Chiesa al Monte

49. Pilgrims Paying Their Devotion in St. Peters at Rome

50. Mordecai

51. Samson Overcome by the Philistines

52. Deucalion and Pyrrha after the Flood

53. Lot and His Family

54. Dido and Aeneas; The Morning of the Chase

55. Mercury and Herse

56. Mercury and Herse

57. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

58. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

59. Aeneas Entering Hades

60. Tobit and the Angel

61. The Death of Ananias

62. King Lyncus Turned Into a Lynx by Ceres

63. Death of the Strong Wicked Man

64. Meeting of Jacob and Esau

65. Fortune

66. De Begraving

67. De Hemelvaart

68. De Kruisiging

69. Abraham's Servant Presenteth Rebekah

70. Christ and the Woman of Samaria

71. Le Ete - Der Sommer