Collection: Prints and Drawings / Associated Places: England and Palace of Westminster

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Attributed to John Carter, 1748–1817

Window Detail, Princes Chamber

between 1800 and 1807

Frederick Mackenzie, 1788–1854

Old Palace Yard

1809

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871

Drawing Room Ceiling, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871

Ceiling to Boudoir House in Old Palace Yard

1871

Print made by William Deeble, active 1814–1849

The Parliament House, from Old Palace Yard, Westminster

1829

Charles James Richardson, 1806–1871

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Print made by M. Gauci, 1810–1846

The Destruction by Fire of the Houses of Parliament

after 1834

Charles James Richardson, 1806–1871

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by unknown artist

Chance. The London Firemen's Dog

1834

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

unknown artist

Henry VII Chapel, Westminster Abbey

undated

Print made by Augustus Charles Pugin, 1762–1832

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by William Henry Toms, ca. 1700–ca. 1750

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Charles J. Hullmandel, 1789–1850

Henry the Seventh's Chapel, North Side

undated

Attributed to John Carter, 1748–1817

Door-way in Wall of South Precints of Westminster Abbey

undated

unknown artist

View of the Coronation Procession of George IV

ca. 1821

Print made by unknown artist

Part of Westminster

ca. 1850

John Carter, 1748–1817

East View of Modern Buildings in Continuation from St Stephen's Chapel

between 1790 and 1802

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

John Carter, 1748–1817

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

Attributed to John Carter, 1748–1817

Front and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Capitals, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Springing of an Arch, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817

New East Front, St Stephen's Chapel

ca. 1801

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Thomas Sutherland, ca. 1785–1838

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by Herbert Railton, 1857–1910

Henry VII's Shrine

ca. 1890

Print made by Robert Isaac Cruikshank, 1789–1856

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

Print made by Charles J. Hullmandel, 1789–1850

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

unknown artist

Plan of the Old Parliament Houses, Westminster

1820

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Print made by John Thomas Smith, 1766–1833

Eight Illustrations of Westminster

1806

Print made by James Basire the younger, 1769–1822

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by William Francis Starling, active first half 19th century

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

unknown artist

Section of the House of Commons as it is at Present

ca. 1800

Print made by John Carter, 1748–1817

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

unknown artist

Entrance Doorway in the Tower, St Stephen's Chapel

undated

Print made by unknown artist

Part of the Front of the Vestibule

1843

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Attributed to John Carter, 1748–1817

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated